
Did you know
29 years old — old enough to be someone's favourite childhood film.

"Get Together. Fall Apart. Start Over."
Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just "kicking it," they hang out with their friends, talking about love and sex. Then Nina tests the strength of Darius' feelings and sets a chain of romantic complications into motion.
“Get Together. Fall Apart. Start Over.”

Larenz Tate
Darius Lovehall

Nia Long
Nina Mosley

Isaiah Washington
Savon Garrison

Bill Bellamy
Hollywood

Lisa Nicole Carson
Josie Nichols

Marie-Françoise Theodore
Tracey Powell

Khalil Kain
Marvin Cox

Leonard Roberts
Eddie Coles
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Theodore Witcher directs. Ernest Holzman behind the camera. Darryl Jones scores. Maysie Hoy cuts. Profitable at the box office. Produced in United States of America. Dialogue in English.
Trivia
Awards
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
I'm sorry. I heard about it on the radio and decided to give it a watch...but I am sorry, I just don't get it. I kind of want to relate it to movies like 12 Angry Men and other dialogue driven flicks...Fall from I think the same year...but this was just...bland. What you have here are people sitting around talking about sex. You have people walking around talking about their relationship. Before Sunrise did kind of the same thing, but throughout you had the feeling of love that would be lost. This didn't really pull off that emotion. It also didn't pull off the tension in many other dialogue driven movies...and it didn't pull off the humor either. It did, however, develop characters very well, so it gets 3 Stars for great characters. But I just can't give it any more. The characters weren't eccentric enough to be appealing, they were just...normal. Normal would have worked if there was more of a plot, more of a goal. Instead it felt like talking about your relationship with your girlfriend and then relating that conversation with your friends with no real direction and no one really entertaining and abnormal enough to latch onto.
Production companies

New Line Cinema
US
Addis-Wechsler Productions
US
Themes & keywords
Release history · US