
Did you know
48 years old โ old enough to be someone's favourite childhood film.

"The best two-hour vacation in town!"
The misadventures of four groups of guests at the Beverly Hills Hotel.
โThe best two-hour vacation in town!โ

Jane Fonda
Hannah Warren

Alan Alda
Bill Warren

Maggie Smith
Diana Barrie

Michael Caine
Sidney Cochran

Walter Matthau
Marvin Michaels

Elaine May
Millie Michaels

Herb Edelman
Harry Michaels

Denise Galik
Bunny
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Herbert Ross directs. David M. Walsh behind the camera. Claude Bolling scores. Michael A. Stevenson cuts. Produced in United States of America. Dialogue in English, Czech.
Trivia
Awards
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
Neil Simon isn't really at his best with this rather hit or miss telling of four families who happen to stay at the world famous Beverly Hills Hotel. The divorced "Warren" family - Jane Fonda & Alan Alda are squabbling over the future of their teenage daughter. She has custody but the youngster wants to spend more time with her father and that's causing no end of self doubt and frustration with her mother. "Marvin" (Walter Matthau) comes on a day ahead of his wife "Millie" (Elaine May) and manages to find himself with an hooker who has no idea when it's a good time to wake up and leave. Richard Pryor and Bill Cosby are brothers travelling with their wives who find an hotel mishap leaves one couple in luxury, the other in a glorified bedsit. Finally, the best of the script falls to Maggie Smith and Michael Caine as the married couple in town because she's been nominated for an Oscar. Last minutes nerves, wobbles, loads of gin and a constant search for validation from her loving but not the most gushing of husbands provides us with much of the best sarcasm and wit contained here, and those scenes - sparing after the half way mark give us most of what's worth watching here. The Pryor/Cosby and Matthau/May scenarios are more contrived and don't work nearly so well and the initial melodrama really only offers Fonda a chance to deliver some lengthy monologues of, occasionally pithy, dialogue. It does poke fun at some of the more facile elements of life and fame, but the episodic nature of the storytelling I found to be a little disjointed and not really that funny.
Production companies

Columbia Pictures
US

Rastar Productions
US
Themes & keywords
Release history ยท US
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