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The Cut poster

The Cut

2014 2h 18m EN
😐
5.9
MID
★5.9TMDB · 109
HistoryAdventureMysteryDrama
Synopsis
Spoiler shield

In 1915, a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night, he learns that his twin daughters may be alive, and goes on a quest to find them.

“Some stories are better left unspoiled.”

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Cast

Credits

Behind the camera

Director
Fatih Akin
Writers
Fatih Akin, Mardik Martin
Languages
Arabic, Armenian, English, Kurdish, Spanish, Turkish
Countries
Germany, France, Italy, Canada, Russia, Poland, Jordan, Turkey

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Earned back only 8% of its budget on initial theatrical — a commercial disappointment on release.

MoodPlayr · trivia#01
2 / 8
ERA

Did you know

Released 12 years ago.

MoodPlayr · trivia#02
3 / 8
WORLD

Did you know

Dialogue crosses 6 languages: Arabic, Armenian, English, Kurdish, Spanish, Turkish.

MoodPlayr · trivia#03
4 / 8
WORLD

Did you know

International production across 8 countries: Germany, France, Italy, Canada, Russia, Poland, Jordan, Turkey.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Directed by Fatih Akin, shot by Rainer Klausmann. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Original score by Alexander Hacke. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#06
7 / 8
DIRECTOR

Did you know

Editor Andrew Bird shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#07
8 / 8
CAST

Did you know

Tahar Rahim and Simon Abkarian and Makram J. Khoury carry the top of the cast.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Fatih Akin directs. Rainer Klausmann behind the camera. Alexander Hacke scores. Andrew Bird cuts. A commercial under-performer on release. Produced in Germany, France, Italy, Canada, Russia, Poland, Jordan, Turkey. Dialogue in Arabic, Armenian, English, Kurdish, Spanish, Turkish.

Trivia

Things worth knowing

  • 1Earned back only 8% of its budget on initial theatrical — a commercial disappointment on release.
  • 2Released 12 years ago.
  • 3Dialogue crosses 6 languages: Arabic, Armenian, English, Kurdish, Spanish, Turkish.
  • 4International production across 8 countries: Germany, France, Italy, Canada, Russia, Poland, Jordan, Turkey.
  • 5Directed by Fatih Akin, shot by Rainer Klausmann. Note their partnership — DPs and directors often return to each other across a career.
  • 6Original score by Alexander Hacke. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 7Editor Andrew Bird shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 8Tahar Rahim and Simon Abkarian and Makram J. Khoury carry the top of the cast.
  • 9IMDB entry: tt2245171 — still the authoritative cross-reference for credits and trivia.
  • 10Classified under 13 themes, including "deportation", "genocide", "period drama", "armenian genocide".

The technical file

Cinematography
Rainer Klausmann
Original score
Alexander Hacke
Editing
Andrew Bird
Production design
Allan Starski
Costume design
Katrin Aschendorf
Makeup / hair
Karen Schembri Grima
VFX supervisor
Juri Stanossek
Stunt coordinator
Elaine Ford
Runtime
138 min · 2h 18m
Status
Released
Budget
$16,000,000
Box office
$1,232,140
Return
8% of budget
Original language
EN
Certification (US)
NR

Also by

Fatih Akin

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    ★ 7/10

    "Nararet" (Tahar Rahim) lives with his two daughters in what is a rapidly declining Ottoman Empire as the Great War rages around them. The authorities decide that all their Armenian peoples are too be moved out and he becomes separated from his young girls. Looking for them isn't going to be easy as the ensuing power vacuum is seeing both the Turkish army and some marauding opportunists vie for control of the territory and it's resources - and those also include people, too. Lucky to escape with his life - though not his voice - his travels now take him on a journey that is frought with danger, peppered with a little kindness, and destined to take him half way across the globe. Will he find his daughters - by now grown up? I like Rahim and am always impressed that his skills as a polyglot can imbue his character with an extra dimension of richness. "Nazaret" has unwillingly sacrificed his voice and gained a visceral purpose, and I thought Rahim delivered an engagingly aloof, almost automated, performance effectively as his trek lurches from frying pan to fire on more than one occasion but never deters him from finding his girls. Honestly, some of the story development might seem a little serendipitous, but then I wondered if "Nazaret" was really in that much of a minority as he traverses ancient Biblical lands and discovers that there are kindly people willing to help him out - many of whom have been dispossessed themselves, or have lost loved ones and who are keen to assist when they, too, have nothing. It is a slow burn, but I felt it benefitted from taking it's time to showcase just how ghastly the effects of ethnic cleansing are and the paucity of dialogue added an additional degree of vulnerability to a character that ages well beyond his years throughout. In some ways it reminded me a little of the second part of David Lean's "Lawrence of Arabia" (1962) as it illustrated the brutally of this failing regime and as a characterful study of a man on a mission, I felt it delivered well.

Production companies

Who made it

  • CO

    Corazón International

    DE

  • DO

    Dorje Film

    IT

  • IN

    International Traders

  • JO

    Jordan Films

    CA

  • Bombero International

    Bombero International

    DE

  • Mars Media Entertainment

    Mars Media Entertainment

    RU

  • Opus Film

    Opus Film

    PL

  • BiM Distribuzione

    BiM Distribuzione

    IT

  • ZA

    Zaman Productions

  • NDR

    NDR

    DE

  • France 3 Cinéma

    France 3 Cinéma

    FR

  • ARD Degeto

    ARD Degeto

    DE

Key crew

  • ProducerFatih Akin
  • ProducerReinhard Brundig
  • ProducerKarl Baumgartner
  • Production DesignAllan Starski
  • Costume DesignKatrin Aschendorf
  • Stunt CoordinatorElaine Ford
  • Stunt DoubleThomas Hacikoglu
  • Stunt CoordinatorRonnie Paul
  • Stunt CoordinatorRon Webber
  • StuntsAdrian Young
  • EditorAndrew Bird
  • CastingBéatrice Kruger
  • Makeup ArtistKaren Schembri Grima
  • Makeup ArtistMaren Meyer
  • Makeup ArtistSabine Schumann
  • HairstylistDebbie Scicluna
  • Special Effects Makeup ArtistSleiman Tadros
  • PainterIan Duncan
  • Foley MixerHanse Warns
  • Foley ArtistCarsten Richter
  • Boom OperatorJonathan Acbard
  • Sound EditorLucas Seeberger
  • Visual Effects SupervisorJuri Stanossek
  • Visual Effects SupervisorRoland Langschwert

Themes & keywords

What it's about, really

  • deportation
  • genocide
  • period drama
  • armenian genocide
  • historical drama
  • 1910s
  • ottoman empire
  • diaspora
  • search for daughter
  • genocide survivor
  • armenian diaspora
  • 20th century
  • turkish history

Release history · US

When it landed

  • Premiere2015-04-18· Tribeca Film Festival
  • Theatrical (limited)2015-08-07NR

Also known as

International titles

  • El padreES
  • SpiAM
  • ՍպիAM
  • La BlessureFR
  • The Cut (La blessure)FR
  • 切肤之歌CN

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