
Did you know
Shot for just $3.0M — micro-budget by Hollywood standards.

"Live, love and give as good as you get."
Fifteen-year-old Mia is in a constant state of war with her family and the world around her. When she meets her party-girl mother’s charming new boyfriend Connor, she is amazed to find he returns her attention, and believes he might help her start to make sense of her life.
“Live, love and give as good as you get.”
Where to watch · US

Katie Jarvis
Mia Williams

Michael Fassbender
Connor O'Reily

Kierston Wareing
Joanne Williams

Rebecca Griffiths
Tyler Williams

Harry Treadaway
Billy

Jason Maza
Billy's Brother

Jack Gordon
Billy's Brother

Joanna Horton
Kelly
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Andrea Arnold directs. Robbie Ryan behind the camera. Phonso Martin scores. Nicolas Chaudeurge cuts. Profitable at the box office. Produced in Netherlands, United Kingdom. Dialogue in English.
Trivia
Awards
Won 1 BAFTA Award. 21 wins & 30 nominations total
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
Kate Jarvis is on great form here as the vulnerably odious "Mia". Living with her mother and sister, she is unruly and uncaring. Nobody cares about her and she cheerfully reciprocates. That is, however, until her mum (Kierston Wareing) brings home a hot new boyfriend. "Connor" (Michael Fassbender) has no time for her histrionics which infuriates her even more. Meantime, she has determined to free an horse that is owned by some local lads and chained near their caravans. Armed with an hammer, well that doesn't quite go to plan - but she does meet "Billy" (Harry Treadaway) so maybe it's not a complete disaster. It's quite clear what her agenda is, and the quickly paced drama illustrates just how wily she can be at achieving it. This is where the story rather falls off a cliff for me. Too much baggage is dumped on us and the already pretty unlikeable envious "Mia" proceeds to behave in such a reckless and thoughtless manner that any sympathy I had for her evaporated. There's precisely no chemistry between Jarvis and Fassbender (or even Treadaway) and that doesn't help convince that there is anything real here. It's noisy and earthy enough, sure, but just how did she ever become this teenage harridan and why ought anyone - family or otherwise - give a damn at all about "Mia". A very strong and convincing effort from Jarvis, though.
Production companies

BBC Film
GB

UK Film Council
GB

ContentFilm
GB

Kasander Film Company
NL
Themes & keywords
Release history · US
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