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Shot for just $1.2M β micro-budget by Hollywood standards.

"His story will have you singing, laughing, crying, cheering, and stomping your feet"
A chronicle of the rise and brief career of rock 'n' roll star Buddy Holly, who aspires to play music the way he wants it to sound. Holly and his band, the Crickets, are first invited to record in Nashville, where they encounter creative differences with the producing staff. Later they play a major booking at the Apollo Theater, scheduled there under the mistaken assumption that they're a black band. Holly's career eventually goes solo -- until the tragic day the music dies.
βHis story will have you singing, laughing, crying, cheering, and stomping your feetβ

Gary Busey
Buddy Holly

Don Stroud
Jesse Charles

Charles Martin Smith
Ray Bob Simmons

Conrad Janis
Ross Turner

William Jordan
Riley

Maria Richwine
Maria Elena Holly
Amy Johnston
Cindy Lou

Dick O'Neill
Sol Gittler
Credits
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Steve Rash directs. Stevan Larner behind the camera. Joe Renzetti scores. David E. Blewitt cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.
Trivia
Awards
Won 1 Oscar. 3 wins & 6 nominations total
Individual records documented via Wikidata; the summary above may count more.
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Community reviews
Aside from a passable resemblance to the man himself, Gary Busey also sounds a bit like Buddy Holly in this biopic of a man who blazed a trail through the American music industry. Despite the popularity of his toe-tapping "Peggy Sue" type numbers, he still faced quite an uphill battle to convince the powers that be that his quirky style of lyric writing and performing was not quite as Satanic as some of the more establishment figures thought. With his two best pals - the "Crickets" never far away, we follow the tumultuous process as they fall in and out and Holly falls for the love of his own life - Maria (Maria Richwine). Busey does well here as he portrays a man in love with his music, his audience and the idea of opportunity whilst conflicted with a desire to stay at home and be with his family. Like so many who become alive on stage, there are huge amounts of nerves and a sense of uncertainly about his abilities and popularity - especially when he begins to become idolised and goes solo. There are plenty of opportunities to get into his songs here, and those of the Big Bopper and Eddie Cochran and the film not only serves to illustrate just how pioneering Holly was, but also just how influential he was within a group of musicians who were changing the scene for ever. The supporting roles are rather undercooked, and that can impact a little on the study of his character, but Busey really does own this part and director Steve Rash knew enough to let us watch and judge by ourselves. Sure, there's an element of mimicry here, but it does come across as natural and personable.
Production companies
Innovisions

Columbia Pictures
US

Taurus Film
DE
Themes & keywords
Release history Β· US
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