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Earned back only 8% of its budget on initial theatrical โ a commercial disappointment on release.

"A woman's dangerous and erotic journey..."
An American couple drift toward emptiness in postwar North Africa.
โA woman's dangerous and erotic journey...โ

Debra Winger
Kit

John Malkovich
Port

Campbell Scott
Tunner

Jill Bennett
Mrs. Lyle

Timothy Spall
Eric Lyle

Eric Vu-An
Belqassim

Amina Annabi
Mahrnia

Philippe Morier-Genoud
Captain Broussard
Credits
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Cinephile deep dive
Bernardo Bertolucci directs. Vittorio Storaro behind the camera. Ryuichi Sakamoto scores. Gabriella Cristiani cuts. A commercial under-performer on release. Produced in Italy, United Kingdom. Dialogue in Arabic, English, French.
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When โKitโ (Debra Winger) and her husband โPortโ (John Malkovich) realise that their relationship is running out of steam, they decide to head into the Moroccan desert and rejuvenate their lives. Things donโt quite get off to the start heโd want though as he quickly finds himself in an erotic knocking shop complete with noisy chickens whilst befriended by the rather sexually ambiguous and sweaty โEricโ (Timothy Spall) and his frugal mother (Jill Bennett). They have their uses, though, as his wife and their friend โGeorgeโ (Campbell Scott) have headed into the interior and he wants to pursue. Itโs upon this journey that we realise, through some narration, that nobody here has ever been especially honest with the other and that any solution that may emerge here will be, at best, an hybrid of what they wanted/expected or even dreamt. Though both Winger and Malkovich take the lead here, and deliver competently, I found it was actually the supporting cast that worked better at illustrating the toxicity of this scenario. Spall, especially, but also the native tribespeople who take part and who viscerally illustrate the contrast between our two amidst marital turbulence and societies that subsist amidst the arid, fly-infested yet beautiful villages of the northern Sahara. Itโs that photography, reminiscent of the Jack Cardiff, that conveys a marvellous combination of the passive, the manic and the serene as the people gradually diminish into a timeless vista that for me, anyway, symbolised the superfluous nature of mankind and the irrelevance of our, largely self-inflicted, problems. As to the conclusion of the story, well I have to say that I didnโt really care one way or the other about these spoiled and rather selfish characters whose melodrama and peccadilloes didnโt really matter in a grander scheme of things. Itโs that uninteresting story that dragged this down for me, that and the fact that Bertolucci seemed intent on peppering the film with sex scenes as if to compensate for a broader lack of something more substantial to demonstration any kind of emotional connection between just about any of these characters. It is a great looking film to watch but as a story I found it a little on the shallow side.
Production companies

Recorded Picture Company
GB
Aldrich Group
Film Trustees Ltd.
TAO Film
IT
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