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87 minutes exactly β the "classic feature" runtime most directors aim for.

"The Man Hunts the Girl... The Girl Hunts the Man..."
A woman who lives in Spain has trouble convincing anybody that a complete stranger has taken her dead brother's identity.
βThe Man Hunts the Girl... The Girl Hunts the Man...β

Richard Todd
Williams, alias Ward McKenzie Prescott Jr.

Anne Baxter
Kimberley Prescott

Herbert Lom
Police Commissar Vargas

Faith Brook
Elaine Whitman

Alan Tilvern
Carlos

Alexander Knox
Chandler Bridson

Douglas Fairbanks Jr.
Self - Epilogue (uncredited)
Thelma D'Aguiar
Maria
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Michael Anderson directs. Erwin Hillier behind the camera. Matyas Seiber scores. Gordon Pilkington cuts. Runs lean at under 100 minutes. Produced in United Kingdom. Dialogue in English.
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Who is hunting who? Chase a Crooked Shadow is directed by Michael Anderson and written by David D. Osborn and Charles Sinclair. It stars Richard Todd, Anne Baxter, Herbert Lom and Faith Brook. Music is scored by Matyas Seiber, with additional guitar by Julian Bream, and cinematography by Erwin Hillier. A man shows up at Kimberley Prescott's Spanish villa claiming to be her brother. Trouble is is that her brother, Ward Prescott, died in a car accident a year ago... The core formula for Chase a Crooked Shadow has been well mined over the years, only recently I myself viewed the quite excellent Hammer Films Production of Paranoiac, which treads the same ground as Anderson's movie, but there's a filmic style here that adds further atmosphere to the moody mysterious tone of the narrative. Thus, in spite of the absurdities and stretching of credulity, this is well worth seeking out. Anderson carefully builds the suspense, ensuring that what we think we know may in fact not be the case. The twists and jolts are deftly handled and the finale is a delightful bolt from the blue. Along the way we are treated to a noirish canvas, where even though the film is shot on location on the Costa Brava, there's a Gothic sheen pretty much every where you look. The interior of the villa is complete with Grandfather clock, iron gate doors, odd light shades, statuettes and one of those staircases with balustrade, all of which is given maximum shadow effects by Hillier. The outside courtyard also serves the uneasy mood well, as does the stone beach house at the bottom of the hill, it should be idyllic, but fret and discord dwell there as well. Cast are most effective, some have called Todd too wooden, but he needs to be restrained here, he is after all playing the character's cards close to his chest. Baxter, looking positively lovely, handles the mental disintegration process with great skill, Brook really exudes a Mrs. Danvers like menace purely with cold dialogue delivery and an icy stare, while Lom has authoritative presence as the police man being pulled both ways of the mystery. Top performers doing justice to a fine mystery story that is in turn offering some visual pleasures too. 7.5/10
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Release history Β· US
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