The Book of Eli

"Some will kill to have it. He will kill to protect it."

2010 1h 58m EN

👍

6.8

SOLID

★6.8TMDB · 6,938

ActionThrillerScience Fiction

Synopsis

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A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.

“Some will kill to have it. He will kill to protect it.”

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Where to watch · US

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Cast

Denzel Washington
Eli
Gary Oldman
Carnegie
Mila Kunis
Solara
Ray Stevenson
Redridge
Jennifer Beals
Claudia
Michael Gambon
George
Tom Waits
Engineer
Frances de la Tour
Martha

Credits

Behind the camera

Director: Albert Hughes
Writers: Gary Whitta, Chris Weston
Languages: English
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Mid-budget at $80M — the now-extinct middle tier of Hollywood.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 16 years ago.

MoodPlayr · trivia#02

3 / 8

CAST

Did you know

295+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Directed by Albert Hughes, shot by Don Burgess. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Original score by Atticus Ross. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Editor Cindy Mollo shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06

7 / 8

ERA

Did you know

Denzel Washington and Gary Oldman and Mila Kunis carry the top of the cast.

MoodPlayr · trivia#07

8 / 8

FACT

Did you know

Marketing tagline: "Some will kill to have it. He will kill to protect it.".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Albert Hughes directs. Don Burgess behind the camera. Atticus Ross scores. Cindy Mollo cuts. Profitable at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

1Mid-budget at $80M — the now-extinct middle tier of Hollywood.
2Released 16 years ago.
3295+ people credited in cast and crew — a small city's worth of labour.
4Directed by Albert Hughes, shot by Don Burgess. Note their partnership — DPs and directors often return to each other across a career.
5Original score by Atticus Ross. Worth a dedicated listen after — most great films lose half their impact without the score.
6Editor Cindy Mollo shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
7Denzel Washington and Gary Oldman and Mila Kunis carry the top of the cast.
8Marketing tagline: "Some will kill to have it. He will kill to protect it.".
9IMDB entry: tt1037705 — still the authoritative cross-reference for credits and trivia.
10Classified under 14 themes, including "faith", "chaos", "dystopia", "post-apocalyptic future".

The technical file

Cinematography: Don Burgess
Original score: Atticus Ross
Editing: Cindy Mollo
Production design: Gae S. Buckley
Costume design: Sharen Davis
Makeup / hair: Tarra D. Day
VFX supervisor: Vincent Cirelli
Sound: Eric A. Norris
Stunt coordinator: Jeff Imada
Runtime: 118 min · 1h 58m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $80,000,000
Box office: $157,107,755
Return: 196% of budget
Original language: EN
Certification (US): R
IMDB: The Book of Eli (2010)

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Albert Hughes

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Community reviews

What people are saying

DoryDarko2017-02-21
★ 10/10
The Book of Eli is one of those films that, at first glance, doesn't offer a terribly thrilling premise: a post-apocalyptic world, a lone wolf who fights for whatever is left of the good of mankind, and the young, naive and somewhat annoying girl he reluctantly takes under his wing. And of course, the bad guy. Sure, there are many more films like this you can find at any local video store. However, when you put two acting grandmasters like Denzel Washington and Gary Oldman head to head, you already know you're in for a treat. And in that respect, "Eli" absolutely delivers. Denzel Washington, in the role of Eli, does what he does best: he delivers his most perfect rough-around-the-edges, I'm-a-good-guy-but-I-don't-care routine we all know and love. He is a hard knock alright, and he has absolutely no problem whatsoever severing a few of your body parts if you get in his way. But he is still good to the core, one of the few decent human beings left in a world forsaken of decency. All you need to do to know this is look in his eyes, because the warmth and charisma Washington possesses say it all, even if he is completely covered in scar tissue. And then there's Gary Oldman. Good old Gary Oldman. I have to say, it's really nice to see him play a stone cold, heartless scumbag once again, especially after his soft good guy role in Batman, where he was almost dorky – to no fault of his own of course, but still. This man deserves to get every inch of space to act freely, and thank goodness, the Hughes brothers allowed him exactly that. He plays a sort of mob boss, the self-appointed leader of a dingy little town and owner of the bar. He beats his wife, prostitutes his stepdaughter and he does it smiling. He is the most filthy kind of evil, absolutely rotten and loving it. Why? We don't know. He's just a bastard, and that's that. Which is another thing I really like about this film, even though I realize many other people might actually hate it: it offers absolutely no motives, no answers, no explanations to anything, no bite size plot lines, nothing. There's no intro, no voice-over telling you where we are and what's going on. Only half-way through the film there is a scene with Eli and Solara (played by Mila Kunis) where he tells her a little bit about his life, but that's it. Like I said, some people might hate this, so if you are the kind of person who likes a formula-driven action flick with catchy punch lines and nothing to think about, this is not the film for you. I would also like to make a little note on Mila Kunis. I must admit, I first had some doubts about her taking on a genre like this (although I was impressed with her performance in Black Swan, but that's a completely different kind of film, and other than that I only know her from That 70's Show), and throughout her first couple of scenes, she didn't do much to remove those doubts. However, as the film progressed, she got her act together and in the end, delivered a credible performance. The visuals are stunning from start to finish. If you are a fan of the new, Frank Miller type of film style with high contrast colours and surreal scenery, you really need to see this. The bleak colours and images of darkness set against a really bright sky make the atmosphere heavy and haunting, making the anxiety of the characters almost tangible. You can just feel dryness, the desert, the hunger and the thirst. The western-like scenery of the town with the "saloon" at the heart of it, only adds to that sensation. Another thing I'd like to mention is a quality not many modern-day films possess: the lost art of being silent. It is very rare for a film in this genre to simply be so... still. There is no dialogue except where it's absolutely necessary, and even the music is only used to actually add something to the scenes, but never as filler. The absence of sound here is just as important as its presence. Perfect. On a similar note, the final credits go to Atticus Ross, who created an absolutely magnificent soundtrack, with music that sounds somewhat like the hybrid lovechild of Trent Reznor and Thom Yorke. It's just stellar and truly adds (emotional) value to every scene. Finally, I'm not going to tell you what the story is about, I will simply recommend that you go into it with an open mind and no prior knowledge. That's what I did and it worked perfectly. (I will only say that you really need to stick around for the awesome, slap-in-the-face plot twist at the end!) Of course it's not the best film ever made, but I still give it a 10, simply because it's beautiful, it's cool and it delivers a few excellent and satisfactory action scenes. And because it's been a really long time since I have downloaded a soundtrack immediately after seeing the film. Original? No. Eye-candy? Absolutely. Go see it. (April 2011)
CinemaSerf2022-06-08
★ 6/10
This time it is Denzel Washington's turn to star in a post-apocalypse tale and although he is competent here, the film offers very little new for us. He ("Eli") treks across the USA, ostensibly aimlessly, seeking comfort where he can; avoiding the lawless gangs who would steal his clothes if they got a chance whilst he feasts on small critters and takes solace from his secret book. Eventually (it seemed) he encounters the rather ruthless "Carnegie" (a menacing but rather under-used Gary Oldman) for whom he initially takes up the cudgels before realising that what "Carnegie" really wants is the book and he will stop at nothing to get it! The production looks good, plenty of attention to detail, but the pace is really slow for the most part. It takes an age for us to accumulate enough information about the man and his book, and the set-piece fight scenes are more a testament to acrobatics than acting. Religiosity is part of the narrative, but it is too superficial and undercooked to make more than a tangential impact on what is essentially a derivate and unremarkable pilgrim's story that could have offered us so much more had that thread been better and more fully developed. The use of light and the photography in general are effective; they do present us with an eerily effective bleakness, but otherwise - it's all a bit so-so.
The Movie Mob2023-02-11
★ 9/10
The Book of Eli is a gritty post-apocalyptic tale with savage action and a twist ending that will make you want to watch it all over again. The Book of Eli plays like a modern-day Mad Max or other 80s post-apocalyptic tale but stripped of its campiness and reinforced with Denzel’s reliable, powerful, and yet vulnerable performance. Washington’s mysterious Eli is driven and focused solely on his mission, but as the plot progresses, he grows to care for a person in need. The action sequences are brutal and precise, emphasizing Eli’s incredible skill and immediately defining him as a force to be reckoned with. Mika Kunis and Gary Oldman bring strong performances to the supporting cast, further grounding a movie that could have easily ended up as another goofy end-of-the-world film. The ending surprises making the audience want to immediately rewatch the movie with this new revelation and see it with new eyes. The Book of Eli is one of my favorite Denzel movies in a catalog of incredible films.