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Bunny Lake Is Missing poster

Bunny Lake Is Missing

"No one admitted while the clock is ticking!"

1965 1h 47m EN
πŸ‘
7.2
SOLID
β˜…7.2TMDB Β· 225
MysteryThriller
Synopsis
Spoiler shield

A woman reports that her young daughter is missing, but there seems to be no evidence that she ever existed.

β€œNo one admitted while the clock is ticking!”

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Cast

Credits

Behind the camera

Director
Otto Preminger
Writers
John Mortimer, Penelope Mortimer
Languages
English
Countries
United Kingdom, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

61 years old β€” a genuine piece of film history.

MoodPlayr Β· trivia#01
2 / 8
WORLD

Did you know

International production across 2 countries: United Kingdom, United States of America.

MoodPlayr Β· trivia#02
3 / 8
DIRECTOR

Did you know

Directed by Otto Preminger, shot by Denys N. Coop. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#03
4 / 8
DIRECTOR

Did you know

Original score by Paul Glass. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#04
5 / 8
DIRECTOR

Did you know

Editor Peter Thornton shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#05
6 / 8
CAST

Did you know

Laurence Olivier and Carol Lynley and Keir Dullea carry the top of the cast.

MoodPlayr Β· trivia#06
7 / 8
FACT

Did you know

Marketing tagline: "No one admitted while the clock is ticking!".

MoodPlayr Β· trivia#07
8 / 8
WILD

Did you know

IMDB entry: tt0058997 β€” still the authoritative cross-reference for credits and trivia.

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Otto Preminger directs. Denys N. Coop behind the camera. Paul Glass scores. Peter Thornton cuts. Produced in United Kingdom, United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 161 years old β€” a genuine piece of film history.
  • 2International production across 2 countries: United Kingdom, United States of America.
  • 3Directed by Otto Preminger, shot by Denys N. Coop. Note their partnership β€” DPs and directors often return to each other across a career.
  • 4Original score by Paul Glass. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 5Editor Peter Thornton shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Laurence Olivier and Carol Lynley and Keir Dullea carry the top of the cast.
  • 7Marketing tagline: "No one admitted while the clock is ticking!".
  • 8IMDB entry: tt0058997 β€” still the authoritative cross-reference for credits and trivia.
  • 9Classified under 14 themes, including "based on novel or book", "baby-snatching", "swing", "psychological thriller".

The technical file

Cinematography
Denys N. Coop
Original score
Paul Glass
Editing
Peter Thornton
Production design
Donald M. Ashton
Costume design
Hope Bryce
Makeup / hair
Maude Onslow
Runtime
107 min Β· 1h 47m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN
Certification (US)
NR

Also by

Otto Preminger

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Trailers & featurettes

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Community reviews

What people are saying

  • John Chard
    β˜… 9/10

    Just out of reach. Bunny Lake is Missing is directed by Otto Preminger and adapted to screenplay by John & Penelope Mortimer from the novel of the same name written by Marryam Modell (AKA: Evelyn Piper). It stars Laurence Olivier, Carol Lynley, Keir Dullea, Martita Hunt & Noel Coward. Music is by Paul Glass and cinematography by Denys N. Coop. 1960s Brit Pop combo The Zombies also feature in the film. Ann Lake (Lynley) turns up at her daughter's school to collect her after her first day there, but nobody has any recollection of ever having seen the four year old... It was a film that irked Otto Preminger, he was never happy with the finished product, this even after changing the ending from the one in the novel and relocating the story from New York to London. Yet time has been very kind to the film, after re-evaluations from auteurist critics the film has found a sturdy fan-base, giving it cult classic status and a reputation as a sleeper classic of its type. You feel that with its thematic links to Hitchcock's Psycho, Preminger wanted to make a film worthy of being in the same league as Hitch's classic. Certainly the marketing for the film lends one to think the makers wanted to be compared with it, that it of course isn't on a par with Psycho is a given, otherwise it would be more well known. But it's a damn fine picture, stitched together impeccably by Preminger, film holds attention and intrigue from Saul Bass' nifty opening credit sequence, right to the eerie denouement. Here we go round the mulberry bush, The mulberry bush, The mulberry bush. Here we go round the mulberry bush on a cold and frosty morning. With real London locations used and Coop's pin sharp black and white (shadowy) photography tight to the unsettling mood, story carries an air of psychological discord about it. The mystery element is strong, and this coupled with the edgy, near unhealthy, relationship between Ann and her brother Stephen (Dullea), makes for a "shifting in your seat" experience. Then there's the small matter of Noel Coward as Horatio Wilson, creepy landlord extraordinaire, he may not be in it for much, but the impression made creeps the flesh. Slotted into the tight narrative are scenes that the likes of Hitchcock, Welles and Kubrick would be proud of, where Preminger calls on his film noir know how to feverishly glide around a doll shop and track his actors as they cavort around a children's garden play area. All topped off by the supreme performance of Olivier as analytical Superintendent Newhouse, a man calm and versed in psychology, he is the perfect contrast to the hysteria and borderline mania that surrounds him. Is it Hitchcockian? As some critics have called it? Well yes it is, but not overtly so, it has closer links in tone and narrative thrust to under seen British thrillers like Don't Talk to Strange Men (1962) and Taste of Fear (1961). Is it flawless? No! Dullea is way too animated, some character reactions to situations are eyebrow-raising and Paul Glass' score is at times maddeningly wrong for the mood sequence it accompanies. But they are problems easily forgivably when taking the film as a whole. 8.5/10

Production companies

Who made it

  • WH

    Wheel Productions

  • Columbia Pictures

    Columbia Pictures

    US

Key crew

  • ProducerOtto Preminger
  • ProducerMartin C. Schute
  • AuthorMarryam Modell
  • EditorPeter Thornton
  • CastingJames Liggat
  • Production DesignDonald M. Ashton
  • Set DecorationScott Slimon
  • Set DecorationElven Webb
  • Costume DesignHope Bryce
  • HairstylistMaude Onslow
  • Makeup ArtistNeville Smallwood
  • Production ManagerEva Monley
  • Production ManagerDouglas Peirce
  • Assistant DirectorBryan Coates
  • Assistant DirectorBernard Williams
  • Special EffectsCharles Staffell
  • Production SecretaryNoreen Hipwell
  • Still PhotographerDavid James
  • Title DesignerSaul Bass

Themes & keywords

What it's about, really

  • based on novel or book
  • baby-snatching
  • swing
  • psychological thriller
  • black and white
  • missing child
  • pre-school
  • anxious
  • suspenseful
  • tense
  • bold
  • distressing
  • frightened
  • gloomy

Release history Β· US

When it landed

  • Theatrical1965-10-03NR

Also known as

International titles

  • Π‘Π°Π½ΠΈ Π›Π΅Ρ˜ΠΊ јС нСсталаRS
  • Đứa TrαΊ» MαΊ₯t TΓ­chVN

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