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The Entertainer poster

The Entertainer

"As the applause grew fainter … As the spotlight grew dimmer … His women were younger!"

1960 1h 44m EN
😐
6.2
MID
β˜…6.2TMDB Β· 59
Drama
Synopsis
Spoiler shield

Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business.

β€œAs the applause grew fainter … As the spotlight grew dimmer … His women were younger!”

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Cast

Credits

Behind the camera

Director
Tony Richardson
Writers
Nigel Kneale, John Osborne
Languages
English
Countries
United Kingdom

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

66 years old β€” a genuine piece of film history.

MoodPlayr Β· trivia#01
2 / 8
DIRECTOR

Did you know

Directed by Tony Richardson, shot by Oswald Morris. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#02
3 / 8
DIRECTOR

Did you know

Original score by John Addison. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#03
4 / 8
DIRECTOR

Did you know

Editor Alan Osbiston shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#04
5 / 8
CAST

Did you know

Laurence Olivier and Brenda De Banzie and Roger Livesey carry the top of the cast.

MoodPlayr Β· trivia#05
6 / 8
FACT

Did you know

Marketing tagline: "As the applause grew fainter … As the spotlight grew dimmer … His women were younger!".

MoodPlayr Β· trivia#06
7 / 8
WILD

Did you know

IMDB entry: tt0053796 β€” still the authoritative cross-reference for credits and trivia.

MoodPlayr Β· trivia#07
8 / 8
WILD

Did you know

Only 59 TMDB ratings β€” you're getting ahead of the curve on this one.

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Tony Richardson directs. Oswald Morris behind the camera. John Addison scores. Alan Osbiston cuts. Produced in United Kingdom. Dialogue in English.

Trivia

Things worth knowing

  • 166 years old β€” a genuine piece of film history.
  • 2Directed by Tony Richardson, shot by Oswald Morris. Note their partnership β€” DPs and directors often return to each other across a career.
  • 3Original score by John Addison. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 4Editor Alan Osbiston shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Laurence Olivier and Brenda De Banzie and Roger Livesey carry the top of the cast.
  • 6Marketing tagline: "As the applause grew fainter … As the spotlight grew dimmer … His women were younger!".
  • 7IMDB entry: tt0053796 β€” still the authoritative cross-reference for credits and trivia.
  • 8Only 59 TMDB ratings β€” you're getting ahead of the curve on this one.
  • 9Classified under 10 themes, including "beauty contest", "based on play or musical", "dysfunctional family", "bankruptcy".

The technical file

Cinematography
Oswald Morris
Original score
John Addison
Editing
Alan Osbiston
Makeup / hair
Tony Sforzini
Runtime
104 min Β· 1h 44m
Status
Released
Original language
EN

Also by

Tony Richardson

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    β˜… 7/10

    Certainly, Laurence Olivier is superb in this drama, but he is surrounded by a superior supporting cast that lend huge poignancy to this story. He is "Archie Rice", a seaside entertainer who has long since passed his use-by date. His quick witted, slightly risquΓ© and smutty humour no longer amuses the theatre audiences who now require much greater sophistication. He can't adapt though - it's in his blood. As he desperately tries to stay one step ahead of the bailiffs and the taxman, he puts his nearest and dearest through a maelstrom of emotions and trauma. It doesn't help his wife "Phoebe" (Brenda de Banzie) that he is also a bit of a womaniser - usually with younger girls, too. His long suffering kids "Jean" (Joan Plowright) and "Frank" (Alan Bates) try to keep things running as they struggle to make ends meet and stay cohesive as a family. Add to these four, a sparing but super contribution from Roger Livesey as his father - another man who made his living treading the boards back in the day, and what we have here is a telling look at a man who just no longer belongs. Olivier, the actor, turns his hand to stand-up, tap dancing, singing - all standard skills that anyone making a living this way would have needed; and he does it really well. None of the theatrical, method style he is so often famed (and criticised) for. Indeed, I think this is the most natural I have ever seen him on film. He seems to be rejoicing in the role - and that's contagious to watch. It's not a bundle of laughs, we are given plenty of opportunity to dislike this rather selfish, narcissist - especially when he is with the excellent Plowright and de Banzie. Although there is an inevitability to the conclusion, I still felt for this family reaching a crossroads, ill-equipped to fit into a society they didn't recognise nor really want to embrace.

Production companies

Who made it

  • WO

    Woodfall Film Productions

    GB

  • CO

    Continental

    XC

Key crew

  • Theatre PlayJohn Osborne
  • Production ManagerR.L.M. Davidson
  • EditorAlan Osbiston
  • Makeup ArtistTony Sforzini
  • ProducerHarry Saltzman
  • Assistant DirectorPeter Yates
  • Associate ProducerJohn Croydon
  • Art DirectionRalph W. Brinton
  • CastingMaude Spector
  • Wardrobe MasterBarbara Gillett
  • Production SecretaryPat Moon
  • Key GripMichael Walter
  • Costume DesignerJocelyn Rickards
  • DraughtsmanTony Woollard
  • ContinuityMaggie Unsworth
  • HairdresserBill Griffiths
  • Music ArrangerWilliam Blezard
  • Music DirectorRonald Cass
  • Boom OperatorKen Ritchie
  • Scenic ArtistFred Mannin
  • Scenic ArtistBasil Mannin
  • Focus PullerRonnie Maasz
  • SoundBob Jones
  • Sound EditorChris Greenham

Themes & keywords

What it's about, really

  • beauty contest
  • based on play or musical
  • dysfunctional family
  • bankruptcy
  • music hall
  • seaside town
  • kitchen sink realism
  • vaudeville performer
  • british new wave
  • suez crisis

Release history Β· US

When it landed

  • Theatrical1960-07-25

Also known as

International titles

  • 藝桷心聲HK

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