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Phone Booth poster

Phone Booth

"No options. No lies. No fear. No deals. Just keep talking."

2003 1h 21m EN
👍
6.9
SOLID
🍅
72%
FRESH
😬
56
METACRITIC
⭐
7.1
IMDB
★6.9TMDB · 4,363🍅72%Rotten Tomatoes●56Metacritic★7.1IMDB · 300,750
ThrillerCrime
Synopsis
Spoiler shield

A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding.

“No options. No lies. No fear. No deals. Just keep talking.”

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Cast

Credits

Behind the camera

Director
Joel Schumacher
Writers
Larry Cohen
Languages
English, Swahili
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
RUNTIME

Did you know

81 minutes exactly — the "classic feature" runtime most directors aim for.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

Made its money back 7.5× over at the box office.

MoodPlayr · trivia#02
3 / 8
ERA

Did you know

Released 23 years ago.

MoodPlayr · trivia#03
4 / 8
WORLD

Did you know

Dialogue crosses 2 languages: English, Swahili.

MoodPlayr · trivia#04
5 / 8
CAST

Did you know

368+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Directed by Joel Schumacher, shot by Matthew Libatique. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#06
7 / 8
DIRECTOR

Did you know

Original score by Harry Gregson-Williams. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#07
8 / 8
DIRECTOR

Did you know

Editor Mark Stevens shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Joel Schumacher directs. Matthew Libatique behind the camera. Harry Gregson-Williams scores. Mark Stevens cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English, Swahili.

Trivia

Things worth knowing

  • 181 minutes exactly — the "classic feature" runtime most directors aim for.
  • 2Made its money back 7.5× over at the box office.
  • 3Released 23 years ago.
  • 4Dialogue crosses 2 languages: English, Swahili.
  • 5368+ people credited in cast and crew — a small city's worth of labour.
  • 6Directed by Joel Schumacher, shot by Matthew Libatique. Note their partnership — DPs and directors often return to each other across a career.
  • 7Original score by Harry Gregson-Williams. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 8Editor Mark Stevens shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 9Colin Farrell and Kiefer Sutherland and Forest Whitaker carry the top of the cast.
  • 10Marketing tagline: "No options. No lies. No fear. No deals. Just keep talking.".
  • 11IMDB entry: tt0183649 — still the authoritative cross-reference for credits and trivia.
  • 12Classified under 8 themes, including "sniper", "new york city", "psychopath", "terrorism".
  • 13Released under 15 different titles around the world.

The technical file

Cinematography
Matthew Libatique
Original score
Harry Gregson-Williams
Editing
Mark Stevens
Production design
Andrew Laws
Costume design
Daniel Orlandi
Makeup / hair
Greg Nelson
VFX supervisor
Nathan McGuinness
Sound
Brian Emrich
Stunt coordinator
Troy Gilbert
Runtime
81 min · 1h 21m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$13,000,000
Box office
$97,837,138
Return
753% of budget
Original language
EN
Certification (US)
R
Rotten Tomatoes
72% 🍅 Fresh
Metacritic
56/100
IMDB rating
7.1/10 · 300,750 votes
MPAA
R

Awards

1 win & 8 nominations total

Also by

Joel Schumacher

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • The Movie Diorama
    ★ 6/10

    Phone Booth dials up its millennial tension through suspenseful confined calls. Joel Schumacher is a rather inconsistent director. Unusual, yet capricious. From ‘The Lost Boys’ to ‘Batman & Robin’, his career has been considerably scattershot in terms of quality. Phone Booth, whilst quintessentially being a product of its time, happens to be his most simplistic. An arrogant publicist is held hostage in a phone booth by a mysterious sniper who offers him an ultimatum. A hyperbolised exercise in absolution from an absurdist’s perspective, Schumacher delivers a nail-biting thriller from the confinement of one besmirched public booth. Unscrupulous sex shops on one side of the grubby New York street, and a religiously inclined series of posters dictating “who do you think you are?” on the other side. It may just be a lightning paced disposable techno thriller to many, but if you divulge into the finer details you’ll notice it is overwhelmed with morality. The repentance of sins. Cleansing the soul from immorality. The harsh tones of Sutherland’s antagonistic voice, likening himself to a higher (or lower...) entity, offering Farrell’s Stu a chance for redemption. A surprisingly thematic endeavour for Schumacher, whether intentional or not, the religious symbolism in its subtle visuals or literary narrative were certainly profound. It smooths out the neo-noir roughness that forces this thriller to be nothing more than disposable entertainment. Aside from Farrell’s strong performance as the arrogantly unlikeable Stu and Sutherland’s menacing tone, the supporting cast were mediocre at best. Whitaker, Mitchell and Holmes rarely had an opportunity to shine within the mucky street and had a tendency to overact. The act of forgiveness, whilst being a pivotal point to the whole ordeal, seemed incredibly vacuous without much deliberate intervention. All too easy, considering how long Stu kept his unfaithful behaviour up for. Cohen’s script was sharp and concise, occasionally stagnating in moments of desperation when not knowing how to progress the hostage situation further. Stevens’ editing was swifter than Sutherland cocking his sniper rifle multiple times. On screen graphics to display scenes running simultaneously, such as police officers tracing the encrypted phone call, keeping the pace consistently tight. Some of visuals, such as the red dot from the sniper, obviously smelt of fakery as well as the space effects showcasing the satellite sending communications to mobile phone chips etc. Y’know, common tropes from films created in the early naughties. As I said, it’s very much a film of its time. Yet despite the rough disposable nature of Phone Booth, it’s a much more entertaining call then being on hold for an hour and a half. I can tell you that from experience...

  • CaseyReese
    ★ 6/10

    .

  • RalphRahal
    ★ 8/10

    "Phone Booth" starts off a bit slow in the first act, but it quickly picks up the pace and becomes more intense as it goes along. Colin Farrell and Forest Whitaker deliver fantastic performances that really bring the intensity to life. Kiefer Sutherland, who I know and love from 24, is chilling as the voice on the phone, adding a menacing layer even without much screen time. What’s also impressive is that the whole movie was shot in just 10 days, with two extra days for some additional shots. It’s amazing they created such a suspenseful film in such a short time. Overall, I really enjoyed it!

Production companies

Who made it

  • Fox 2000 Pictures

    Fox 2000 Pictures

    US

  • ZU

    Zucker/Netter Productions

    US

Key crew

  • EditorMark Stevens
  • ProducerDavid Zucker
  • Set DecorationDon Diers
  • Second Second Assistant DirectorStephen V. Johnson
  • ProducerGil Netter
  • Unit Production ManagerJohn A. Machione
  • Second Assistant "A" CameraLarissa Supplitt
  • Utility SoundChristopher Jones
  • ElectricianKevin Brown
  • Key GripMichael Joseph Reyes
  • GripMichael Koepke
  • Second Assistant "D" CameraDavid Schreiber
  • Executive ProducerTed Kurdyla
  • Utility StuntsIvan Bates
  • "C" Camera OperatorJeffrey Norvet
  • First Assistant "D" CameraPenny Sprague
  • Utility StuntsFrank Torres
  • Utility StuntsJohn Robotham
  • Assistant Art DirectorAustin Gorg
  • Stunt CoordinatorTroy Gilbert
  • Production SupervisorDennis T. Benatar
  • Second Assistant "C" CameraAnn Rabin
  • "D" Camera OperatorChristopher Duskin
  • Genetator OperatorJoe Susfolk

Themes & keywords

What it's about, really

  • sniper
  • new york city
  • psychopath
  • terrorism
  • real time
  • publicist
  • affair
  • phone booth

Release history · US

When it landed

  • Premiere2003-03-11· South by Southwest Film Festival
  • Theatrical2003-04-04R
  • Physical2003-07-08R· DVD
  • Physical2007-02-13R· Blu-ray

Also known as

International titles

  • A fülkeHU
  • Phone GameFR
  • In linea con l'assassinoIT
  • Última llamadaES
  • Enlace mortalAR
  • 絕命鈴聲TW
  • Nicht auflegen!DE
  • La cabineCA
  • Ultima LlamadaMX
  • Phone BoothGB
  • Por um FioBR
  • Телефонна будкаUA
  • TelefonPL
  • Cabine TelefónicaPT
  • Telefon KulübesiTR

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