
Did you know
Earned back only 48% of its budget on initial theatrical — a commercial disappointment on release.

"Leave your expectations at the door"
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
“Leave your expectations at the door”

Ewan McGregor
Curt Wild

Jonathan Rhys Meyers
Brian Slade

Toni Collette
Mandy Slade

Christian Bale
Arthur Stuart

Suzy Eddie Izzard
Jerry Devine

Emily Woof
Shannon

Michael Feast
Cecil

Janet McTeer
Female Narrator (voice)
Credits
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Cinephile deep dive
Todd Haynes directs. Maryse Alberti behind the camera. Carter Burwell scores. James Lyons cuts. A commercial under-performer on release. Produced in United Kingdom, United States of America. Dialogue in English.
Trivia
Awards
Nominated for 1 Oscar. 4 wins & 12 nominations total
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Community reviews
If you stop for five minutes to actually think about the plot, Velvet Goldmine falls apart, but if you just think about how off-the-charts wonderful all the individual aspects are, you'll be just fine. Final rating:★★★½ - I strongly recommend you make the time.
With the swinging sixties finally on the wane, "Brian Slade" (Jonathan Rhys Meyers) is starting to feel redundant. His career seems doomed - until that is, he is inspired by the potency of a "Curt Wild" (Ewan McGregor) concert and like a caterpillar to a butterfly, is reborn as the sexually ambiguous "Maxwell Demon" a glam rock icon inspiring adulation the world over. Just as he reaches his zenith, however, it all ends rather suddenly. Ten years after that shocking performance, journalist "Arthur Stuart" (Christian Bale) decides to investigate just what did happen. Todd Haynes has created quite an hedonistic display for us, here. The three lead performances - especially Meyers - really embrace the ethos of the period. The sex, drugs, rock and roll mentality where anything and everything goes is really well reflected. It's not the characters that let this down, though - it's the shambolic narrative and the initial theme just seems to become subsumed in Haynes' desire to show us something that might have been shocking then, but kind of isn't now. Shades of David Bowie, Elton john, Iggy Pop - you name it; but sadly - very little originality. Still it's enjoyable to watch and the actors keep the whole things suitably messy for what did feel like an over-long 2 hours.
Production companies
Zenith Entertainment
GB

Killer Films
US
Single Cell Pictures
US

Newmarket Capital Group
US
Goldwyn Films
GB

Film4 Productions
GB
Themes & keywords
Release history · US
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