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Where the Wild Things Are poster

Where the Wild Things Are

"There's one in all of us."

2009 1h 41m EN
👍
6.5
SOLID
🍅
73%
FRESH
👌
71
METACRITIC
⭐
6.7
IMDB
★6.5TMDB · 2,079🍅73%Rotten Tomatoes●71Metacritic★6.7IMDB · 111,109
AdventureDramaFamilyFantasy
Synopsis
Spoiler shield

Max imagines running away from his mom and sailing to a far-off land where large talking beasts—Ira, Carol, Douglas, the Bull, Judith and Alexander—crown him as their king, play rumpus, build forts and discover secret hideaways.

“There's one in all of us.”

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Cast

Credits

Behind the camera

Director
Spike Jonze
Writers
Spike Jonze, Dave Eggers
Languages
English
Countries
United States of America, Germany

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

$100M budget — tentpole studio territory.

MoodPlayr · trivia#01
2 / 8
ERA

Did you know

Released 17 years ago.

MoodPlayr · trivia#02
3 / 8
WORLD

Did you know

International production across 2 countries: United States of America, Germany.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Spike Jonze, shot by Lance Acord. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Original score by Carter Burwell. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Editor James Haygood shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06
7 / 8
CAST

Did you know

Max Records and Catherine Keener and James Gandolfini carry the top of the cast.

MoodPlayr · trivia#07
8 / 8
FACT

Did you know

Marketing tagline: "There's one in all of us.".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Spike Jonze directs. Lance Acord behind the camera. Carter Burwell scores. James Haygood cuts. Profitable at the box office. Produced in United States of America, Germany. Dialogue in English.

Trivia

Things worth knowing

  • 1$100M budget — tentpole studio territory.
  • 2Released 17 years ago.
  • 3International production across 2 countries: United States of America, Germany.
  • 4Directed by Spike Jonze, shot by Lance Acord. Note their partnership — DPs and directors often return to each other across a career.
  • 5Original score by Carter Burwell. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 6Editor James Haygood shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7Max Records and Catherine Keener and James Gandolfini carry the top of the cast.
  • 8Marketing tagline: "There's one in all of us.".
  • 9IMDB entry: tt0386117 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography
Lance Acord
Original score
Carter Burwell
Editing
James Haygood
Production design
K.K. Barrett
Costume design
Casey Storm
Makeup / hair
Adam Johansen
VFX supervisor
Ben Gibbs
Sound
Juan Peralta
Stunt coordinator
Darrin Prescott
Runtime
101 min · 1h 41m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$100,000,000
Box office
$100,140,916
Return
100% of budget
Original language
EN
Certification (US)
PG
Rotten Tomatoes
73% 🍅 Fresh
Metacritic
71/100
IMDB rating
6.7/10 · 111,109 votes
MPAA
PG

Awards

7 wins & 54 nominations total

  • National Board of Review: Top Ten Films

Individual records documented via Wikidata; the summary above may count more.

Also by

Spike Jonze

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Vinicius Monteiro
    ★ 7/10

    Do you remember what it was like to be nine years old? Not the sanitized, colorful version animated movies usually sell us, but the raw, confusing, and often lonely reality of childhood? If you're hitting play on Where the Wild Things Are expecting a lighthearted Toy Story-style adventure to distract the kids on a Sunday afternoon, stop right there. What we have here isn't just a distraction; it's a mirror. Over 90 minutes, we're faced with a film that dares to treat a child not as a naive little being, but as a complex creature. It's a divisive movie: to some, it's a misunderstood masterpiece; to others, a test of patience. It's almost miraculous what Jonze and Dave Eggers managed to pull off with a book of only 350 words. They didn't just respect Sendak's work; they crafted a new story that deserves to be remembered for generations. Skipping the obvious plot summaries, I'd actually compare this movie to The Graduate, but for kids. That might sound like a stretch, but both deal with protagonists caught on the border between two worlds, facing the realities of growing up and running away to safe havens of immaturity. Max, much like Benjamin Braddock, has to accept that you can't spend your life running away-a wake-up call that comes through his interactions with everyone around him. The way Max is portrayed left me intrigued and, at times, a bit confused. He's shown as such a wild and troubled kid that my first instinct was to armchair-diagnose him with some serious disorder, maybe autism, even though the movie seems to just treat him as a troubled kid from a broken home. The biggest issue for me was the lack of a clear external goal. The storyline basically boils down to Max trying not to get eaten and coming up with pointless projects, like building a giant spherical fort. This lack of direction made the story feel episodic and dragged out. I have to be honest: there were several moments where I was just bored. If there's one thing you can't argue with, though, it's the production quality. Max Records' acting is impressive; he totally sold me on his role as a defiant, complex kid. Visually, Where the Wild Things Are is a triumph of texture. Jonze went with a hybrid approach: actors inside giant suits created by Jim Henson's Creature Shop, with digitally animated faces. The result is that the monsters have real weight, take up space, and physically interact with Max. You can practically feel the dirt, the matted fur, and the sunlight hitting the dust. The cinematography creates an almost documentary-like intimacy that saves the movie when the script runs out of steam. Where the Wild Things Are is a movie of contrasts. It's visually stunning and emotionally resonant, capable of waking up dormant childhood memories, but it's also narratively slow and sometimes exhausting. It's the kind of film I respect more than I love. Spike Jonze's courage in not handing out easy answers is commendable, but it takes a toll on the pacing. I definitely recommend watching it to draw your own conclusions, but go in prepared: you might find yourself crying over Max's loneliness one minute, and fighting off sleep as they build yet another fort the next. Either way, it's an experience that won't leave you indifferent.

Production companies

Who made it

  • Warner Bros. Pictures

    Warner Bros. Pictures

    US

  • Legendary Pictures

    Legendary Pictures

    US

  • Village Roadshow Pictures

    Village Roadshow Pictures

    US

  • Playtone

    Playtone

    US

  • KL

    KLG Film Invest

    DE

  • WI

    Wild Things Productions

    US

Key crew

  • ProducerTom Hanks
  • ProducerJohn B. Carls
  • ProducerGary Goetzman
  • ProducerVincent Landay
  • ProducerMaurice Sendak
  • Dolly GripMatt Copping
  • Key GripToby Copping
  • Second Assistant CameraSky Davies
  • First Assistant "A" CameraDavid Elmes
  • "A" Camera OperatorMark Goellnicht
  • Key GripWarren Grieef
  • Camera OperatorSimon Harding
  • Additional Still PhotographerBen King
  • Second Assistant CameraStephen MacDougall
  • Dolly GripJoseph Messier
  • Second Assistant CameraCameron Morley
  • First Assistant CameraDarin Necessary
  • Still PhotographerMatt Nettheim
  • Key GripGino Nix
  • First Assistant CameraLuke Nixon
  • Additional Still PhotographerShawn Records
  • First Assistant CameraHector Rodriguez
  • Second Assistant CameraJeremy Rouse
  • First Assistant CameraRicky Schamburg

Themes & keywords

What it's about, really

  • creature
  • based on children's book
  • children's book
  • lying
  • overflowing with imagination
  • children's perspectives
  • maurice sendak

Release history · US

When it landed

  • Premiere2009-10-13· New York
  • Theatrical2009-10-16PG

Also known as

International titles

  • Sti hora ton magikon plasmatonGR
  • More RiceUS

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