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Her

"A Spike Jonze love story."

2013 2h 6m EN
🙌
7.8
BANGER
★7.8TMDB · 15,710
RomanceScience FictionDrama
Synopsis
Spoiler shield

In the not so distant future, Theodore, a lonely writer, purchases a newly developed operating system designed to meet the user's every need. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.

“A Spike Jonze love story.”

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Cast

Credits

Behind the camera

Director
Spike Jonze
Writers
Josh Sheppard, Spike Jonze
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

Released 13 years ago.

MoodPlayr · trivia#01
2 / 8
CAST

Did you know

213+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#02
3 / 8
DIRECTOR

Did you know

Directed by Spike Jonze, shot by Hoyte van Hoytema. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Original score by Régine Chassagne. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Editor Jeff Buchanan shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05
6 / 8
CAST

Did you know

Joaquin Phoenix and Scarlett Johansson and Lynn Adrianna carry the top of the cast.

MoodPlayr · trivia#06
7 / 8
FACT

Did you know

Marketing tagline: "A Spike Jonze love story.".

MoodPlayr · trivia#07
8 / 8
WILD

Did you know

IMDB entry: tt1798709 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Spike Jonze directs. Hoyte van Hoytema behind the camera. Régine Chassagne scores. Jeff Buchanan cuts. Profitable at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Released 13 years ago.
  • 2213+ people credited in cast and crew — a small city's worth of labour.
  • 3Directed by Spike Jonze, shot by Hoyte van Hoytema. Note their partnership — DPs and directors often return to each other across a career.
  • 4Original score by Régine Chassagne. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 5Editor Jeff Buchanan shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Joaquin Phoenix and Scarlett Johansson and Lynn Adrianna carry the top of the cast.
  • 7Marketing tagline: "A Spike Jonze love story.".
  • 8IMDB entry: tt1798709 — still the authoritative cross-reference for credits and trivia.
  • 915,710 TMDB user ratings logged — serious cultural footprint.
  • 10Classified under 19 themes, including "future", "artificial intelligence (a.i.)", "computer", "satire".
  • 11Released under 35 different titles around the world.

The technical file

Cinematography
Hoyte van Hoytema
Original score
Régine Chassagne
Editing
Jeff Buchanan
Production design
K.K. Barrett
Costume design
Casey Storm
Makeup / hair
Cydney Cornell
VFX supervisor
Janelle Croshaw Ralla
Sound
David Parker
Stunt coordinator
Scott Rogers
Runtime
126 min · 2h 6m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$23,000,000
Box office
$47,351,251
Return
206% of budget
Original language
EN
Certification (US)
R

Awards

  • Golden Globe Award for Best Screenplay
  • Academy Award for Best Writing, Original Screenplay
  • National Board of Review Award for Best Film
  • Saturn Award for Best Fantasy Film
  • Critics' Choice Movie Award for Best Original and Adapted Screenplay
  • Writers Guild of America Award for Best Original Screenplay
  • National Board of Review: Top Ten Films

Individual records documented via Wikidata; the summary above may count more.

Also by

Spike Jonze

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • treestannn

    The opposite of garbage

  • kineticandroid

    In the run-up to me seeing this, I heard a lot of people saying simply this was "a film about relationships." I feel like that holds up quite well. More specifically, I felt like "Her" is a film about why relationships end. Using a motto I picked up from too many Dan Savage podcasts, all relationships end — not fail, just end — until one doesn't. Some end because someone is hurt. Some end because the people have grown into people that don't connect in the same way, and the biggest challenge in that case can be just accepting the change in a partner and in the self. ...So why couch this theme in science-fiction? I think it helps clarify Jonze's idea of what people look for during the first moments of a relationship — someone who acts a bright, positive, layered, but uncomplicated by a dark past or conflicted feelings. But even more interestingly, the hook of the film is mostly just that, a hook to get us thinking about love and relationships in a deeper, more abstract way.

  • tmdb39513728

    Not a Keeper The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in. Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off? Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.

Production companies

Who made it

  • Annapurna Pictures

    Annapurna Pictures

    US

Key crew

  • First Assistant EditorErik Jessen
  • ADR EditorGwendolyn Yates Whittle
  • First Assistant Sound EditorCoya Elliott
  • Dialogue EditorMalcolm Fife
  • Dialogue EditorSteve Slanec
  • Sound Effects EditorDavid C. Hughes
  • Assistant Sound EditorJeremy Molod
  • Music EditorMarie Ebbing
  • Foley EditorThom Brennan
  • Foley ArtistJohn Roesch
  • Foley ArtistAlyson Dee Moore
  • Foley MixerMary Jo Lang
  • ADR MixerChris Navarro
  • ADR MixerBobby Johanson
  • ADR MixerNick Kray
  • ADR MixerThomas J. O'Connell
  • Sound Re-Recording MixerDavid Parker
  • Visual Effects ProducerPeter Mavromates
  • Visual Effects SupervisorJanelle Croshaw Ralla
  • Visual Effects SupervisorBen Gibbs
  • Construction CoordinatorChris Forster
  • Transportation CoordinatorPaul E. Stroh
  • Transportation CaptainChris Raines
  • Transportation Co-CaptainRobert T. Chestnut

Themes & keywords

What it's about, really

  • future
  • artificial intelligence (a.i.)
  • computer
  • satire
  • love
  • loneliness
  • transhumanism
  • los angeles, california
  • heartbreak
  • semi autobiographical
  • speculative
  • singularity
  • near future
  • serene
  • intimate
  • provocative
  • dramatic
  • comforting
  • operating system

Release history · US

When it landed

  • Premiere2013-10-12· New York Film Festival
  • Theatrical (limited)2013-12-18R
  • Theatrical2014-01-10R
  • Digital2014-05-13R
  • Physical2014-05-13R

Also known as

International titles

  • 云端情人CN
  • 触不到的她CN
  • 그녀KR
  • Her:2013JP
  • NàngVN
  • EllaAR
  • ՆեAM
  • EllaMX
  • EllaES
  • EllaEC
  • O.AZ
  • ElaBR
  • ТяBG
  • OnaHR
  • HendeDK

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