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Released 17 years ago.

A chronological account of the influential late 1970s English rock band.
βSome stories are better left unspoiled.β

Anton Corbijn
Self
Kevin Cummins
Self
Richard Boon
Self

Ian Curtis
Self (archive footage)

Peter Hook
Self

Bernard Sumner
Self

Stephen Morris
Self

Paul Morley
Self
Credits
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Cinephile deep dive
Grant Gee directs. Jerry Chater cuts. Produced in United Kingdom. Dialogue in English.
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Community reviews
In the shadowplay acting out your own death knowing no more. Joy Division, the mercurial Manchester based masters of dark post punk sounds, who in Ian Curtis had one of the eras most tortured souls. Directed by Grant Gee and written by Jon Savage, this documentary actually brings nothing new to the table for hardened fans of the band, of which I am unashamedly amongst that number. There is a tendency with musical documentaries to be over praised by fans simply because, well, they just love to see their idols/heroes/inspirations up there on the screen. Grant Gee's film has strong merits as an introduction for those new to the band, for the curious and to those hypnotised by tunes so hauntingly poetic they can reduce you to tears, but again for those who have followed Joy Division and their subsequent brotherhood band, New Order, there is nothing to be learned here. The absence of Deborah Curtis (Ian's widow) from the doc is annoying, where we are only given printed quotes from her. One can only guess that she refused to be sharing screen space with her love rival, and fellow tormentor of Ian Curtis' psyche, Annik HonorΓ©, the latter of which who is more than happy to fuel the documentary fire. At times this feels like a copy of Anton Corbijn's superb film, Control, only with the real life band members and entourage commenting from the edges of the frame. But then there is of course the live excerpts of the band, which lifts this up to the high levels set by Control and Deborah Curtis' excellent book, Touching from a Distance. In that, there is the crux, Joy Division the film is essential for fans, to see that performance of Shadowplay and etc etc, it's these moments that make us forgive the narrative, which quite frankly, is a bit of a cash cow cash in. And I really do say that with heavy heart. 8/10
Production companies
Hudson Productions
GB
Brown Owl Films
Themes & keywords
Release history Β· US
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