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At 184 minutes, this is a three-hour-plus commitment — longer than 95% of films ever made.

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
“Some stories are better left unspoiled.”

Erwin Schrott
Figaro

Miah Persson
Susanna

Gerald Finley
Comte Almaviva

Dorothea Röschmann
Comtesse Almaviva
Graciela Araya
Marcellina
Ana James
Barbarina

Rinat Shaham
Cherubino
Orchestra of the Royal Opera House
Self - Orchestra
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Jonathan Haswell directs. A long sit — settle in. Produced in United Kingdom. Dialogue in Italian.
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Royal Opera House
GB
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