Girls Like Girls

Cinephile deep dive

The take

Hayley Kiyoko directs. Sonja Tsypin behind the camera. Jessica Rose Weiss scores. Christine Armstrong cuts. Runs lean at under 100 minutes. Produced in United States of America, Canada. Dialogue in English.

Trivia

Things worth knowing

• 1Released this year — you're seeing it while it's still in the cultural conversation.
• 2International production across 2 countries: United States of America, Canada.
• 3Directed by Hayley Kiyoko, shot by Sonja Tsypin. Note their partnership — DPs and directors often return to each other across a career.
• 4Original score by Jessica Rose Weiss. Worth a dedicated listen after — most great films lose half their impact without the score.
• 5Editor Christine Armstrong shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 6Maya da Costa and Myra Molloy and Zach Braff carry the top of the cast.
• 7Marketing tagline: "Love begins when you let it in.".
• 8IMDB entry: tt32432654 — still the authoritative cross-reference for credits and trivia.
• 9Only 73 TMDB ratings — you're getting ahead of the curve on this one.
• 10Classified under 9 themes, including "based on novel or book", "coming of age", "based on song, poem or rhyme", "first love".

The technical file

Cinematography

Sonja Tsypin

Original score

Jessica Rose Weiss

Editing

Christine Armstrong

Production design

Morgan Lindsey Price

Costume design

Kelli Dunsmore

Makeup / hair

Shauna Carveth

Sound

Kendall Barron

Stunt coordinator

Rick Pearce

Runtime

95 min · 1h 35m

Aspect ratio (typical)

1.37:1 (Academy)

Status

Released

Box office

$1,913,765

Original language

EN

Certification (US)

R

IMDB

Girls Like Girls (2026) ↗

Also by

Hayley Kiyoko

• 
  Hayley Kiyoko: Gravel To Tempo

  2016 · ★ 5.8

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper

Trailers & featurettes

Watch the pieces

• 

  ▶
  What She Actually Saw

  Teaser · Official
• 

  ▶
  "My Friend Really Wants To Talk To You" - Extended Preview

  Clip · Official
• 

  ▶
  Hayley Kiyoko's Favorite Moments & Memories From The Making of Girls Like Girls - Cart Confessions

  Featurette · Official
• 

  ▶
  Expanding the World of Girls Like Girls - Origin Story

  Featurette · Official
• 

  ▶
  "It's Called Romance" Official Clip

  Clip · Official
• 

  ▶
  "Find Your Person" Official Clip

  Clip · Official

Community reviews

What people are saying

• Brent Marchant2026-06-19
  ★ 3/10

  It’s genuinely heartening to see how much LGBTQ+ cinema has progressed over the part 30 years. When the genre was new, most of its releases fell into a limited handful of storylines, which, though groundbreaking at the time, have since been surpassed by numerous other works that have moved beyond the basics. And that’s why the debut feature from writer-director Hayley Kiyoko is such a huge disappointment. The film is a rather uninspired throwback more typical of pictures released in this genre in the 1980s, making the material seem quite dated compared to more contemporary offerings. Even though this story takes place in a small town in the first decade of the new millennium – a setting somewhat less progressive than others at that time and certainly much more so than compared to today – it nevertheless comes across like something more akin to LGTBQ+ movies from years earlier. And, to make matters worse, it falls back on a lot of trite story elements and clichés, making this tale of young lesbian love look terribly antiquated. At the risk of playing spoiler, the film follows a shopworn formula for most love stories in general, albeit with a girl-on-girl twist: girl meets girl, girl gets girl, girl loses girl, girl tries to get girl back again. Consequently, it’s difficult to think of that as being in any way original, engaging or different. It also doesn’t help that the screenplay is laden with superficial dialogue, endless montages of cloud shots and bicycle riding footage that feel like padding added to fill out the relatively scant 1:35:00 runtime, and a few too many music video-style sequences (something not entirely unexpected, since this is where the director got her filmmaking start). But perhaps the most egregious issue for me was the utter lack of chemistry between the two leads in their attempts to overcome sexual confusion and forge a same-sex relationship. Sonya (Myra Malloy) is a flirtatious but confused tease who can’t make up her mind about which side of the fence she wants to put down roots, and Nicole (“Coley”) (Maya da Costa), the new girl in town, can’t make up her mind about much of anything, a problem made worse by the actress’s inconsistent, positively dreadful performance. Where’s the alleged attraction between these two? Indeed, how is anyone supposed to take any of this seriously? As a gay man myself, I’m well aware of the difficulty involved in coming out (not to mention coming of age as well) as an adolescent (and I did so at a time when it was far more challenge-ridden than it is today and even during the time frame depicted in this film). But its treatment here leaves much to be desired, and it’s a subject that LGBTQ+ cinema really should have moved beyond by now unless special extenuating circumstances are involved in the story (which isn’t the case here). And, because of this, I find it frustrating that there are so many other – and better – works of LGBTQ+ cinema are out there that never get picked up for distribution deals yet something underwhelming like this does (and as a Pride Month release to boot). Girls may like girls, but I find it hard to believe that anyone would realistically like this.

  Read full review ↓
• CinemaSerf2026-10-08
  ★ 6/10

  "Nicole" (aka "Coley" - Maya da Costa) is living with her stepdad "Curtis" (Zach Braff) and coming to terms with the recent accidental death of her mother. They have moved to a new location where she is struggling to settle in until, that is, she starts to befriend the popular "Sonya" (Myra Molloy) who seems to be having an on/off relationship with the frankly pretty obnoxious "Trenton" (Levon Hawke). It's soon quite clear that "Coley" feels something a little more intimate towards her new friend, the question is - does "Sonya" reciprocate? According to auteur Hayley Kiyoko, this film took ten years from original concept to get to the big screen, but unfortunately gay cinema has advanced in leaps and bounds in those intervening years - particularly where women are concerned. It's not unusual at all now to see lesbian couples portrayed in mainstream cinema, and so this has rather lost any groundbreaking hooks it may once have had. Instead, it all plays out as a rather typical drama of familial dyfunctionality and sexual awakenings that smacks right from the start of a contrived television movie full of emotional angst. Of course she has a wonky relationship with "Curtis"; of course the path of her true love doesn't run smooth and of course there has to be some doubt as to what might happen at the end - even if, well, there's isn't really. The acting is really neither here nor there and the whole film reminded me a little of that equally lacklustre and cheesy "Regretting You" story from last year where style and look eclipsed substance at pretty much every turn. It's all perfectly watchable but it's really just a short story that's been over-stretched out for ninety minutes and that I doubt I shall recall for long.

  Read full review ↓

Production companies

Who made it

• 

  Marc Platt Productions

  US

• 

  BuzzFeed Studios

  US

• 

  CR8IV DNA

  CA

Key crew

• ProducerMarc Platt
• ProducerKatie McNicol
• ProducerAdam Siegel
• ProducerDee Best
• ProducerMichael Philip
• ProducerJason Moring
• ProducerRichard Alan Reid
• EditorChristine Armstrong
• EditorSabine Hoffman
• Production DesignMorgan Lindsey Price
• SongsHayley Kiyoko
• Music SupervisorRob Lowry
• CastingMegan Bayliss
• CastingRebecca Davidson
• Production ManagerKaren Redford
• First Assistant DirectorSandra Mayo
• Second Assistant DirectorNina Bournival
• Co-ProducerChristopher Campbell-Orrock
• Associate ProducerSamantha Sadoff
• Associate ProducerMarla Vazquez
• Associate ProducerFabienne Leys
• Associate ProducerHeather McKay
• Post Production SupervisorBradley M. Goodman
• Art DirectionOlga Devuyst

Themes & keywords

What it's about, really

• based on novel or book
• coming of age
• based on song, poem or rhyme
• first love
• lgbt
• queer
• lesbian
• girls' love (gl)
• sapphic

Release history · US

When it landed

• Premiere2026-06-18· Frameline: The San Francisco International LGBTQ+ Film Festival
• Premiere2026-06-09· Coolidge Corner Theatre
• Theatrical2026-06-19R
• Digital2026-07-07R
• Digital2026-08-14R· Peacock
• Physical2026-09-22R· Blu-ray