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Immortal Beloved poster

Immortal Beloved

1994 2h 1m EN
👍
7.1
SOLID
★7.1TMDB · 383
DramaMusicRomance
Synopsis
Spoiler shield

A chronicle of the life of infamous classical composer Ludwig van Beethoven and his painful struggle with hearing loss. Following Beethoven's death in 1827, his assistant, Schindler, searches for an elusive woman referred to in the composer's love letters as "immortal beloved." As Schindler solves the mystery, a series of flashbacks reveal Beethoven's transformation from passionate young man to troubled musical genius.

“Some stories are better left unspoiled.”

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Cast

Credits

Behind the camera

Director
Bernard Rose
Writers
Bernard Rose
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
MONEY

Did you know

Shot for just $0.0M — micro-budget by Hollywood standards.

MoodPlayr · trivia#01
2 / 7
ERA

Did you know

32 years old — old enough to be someone's favourite childhood film.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Directed by Bernard Rose, shot by Peter Suschitzky. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Original score by Ludwig van Beethoven. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04
5 / 7
DIRECTOR

Did you know

Editor Dan Rae shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05
6 / 7
ERA

Did you know

Gary Oldman and Jeroen Krabbé and Isabella Rossellini carry the top of the cast.

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt0110116 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Bernard Rose directs. Peter Suschitzky behind the camera. Ludwig van Beethoven scores. Dan Rae cuts. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Shot for just $0.0M — micro-budget by Hollywood standards.
  • 232 years old — old enough to be someone's favourite childhood film.
  • 3Directed by Bernard Rose, shot by Peter Suschitzky. Note their partnership — DPs and directors often return to each other across a career.
  • 4Original score by Ludwig van Beethoven. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 5Editor Dan Rae shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Gary Oldman and Jeroen Krabbé and Isabella Rossellini carry the top of the cast.
  • 7IMDB entry: tt0110116 — still the authoritative cross-reference for credits and trivia.
  • 8Classified under 14 themes, including "composer", "deaf", "letter", "biography".

The technical file

Cinematography
Peter Suschitzky
Original score
Ludwig van Beethoven
Editing
Dan Rae
Production design
Jiří Hlupý
Runtime
121 min · 2h 1m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$120
Original language
EN
Certification (US)
R

Also by

Bernard Rose

Stills · wallpapers

Selected frames

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    ★ 7/10

    Ten years after the success of "Amadeus"; Hollywood decided to offer us a biopic of this giant of 19th century music who helped set up Vienna as the Mecca of classical music at the time. A truly multi-talented Gary Oldman is on good form as Bernard Rose guides us through the life, and fairly frequent loves, of this genius. His flaws are writ large from the beginning; his, at times, quite brutal upbringing and his womanising certainly didn't make him the nicest of men; and as his deafness takes over his character becomes more irascible and unpredictable. The story is presented as a retrospective, starting at his funeral, and is largely described through the perspective of his friend Anton Schindler (a considered effort from Jeroen Krabbé) and we see how his nature could vacillate from kindly, cruel, passionate and loving to selfish and vile. There are strong supporting contributions from Isabella Rossellini and Johanna Reiss that help keep this film focused and engaging. There are also ample opportunities to hear some of his music played, quite possibly, in a venue he would have himself attended. The attention to detail is superb: costumes, sets and locations all looking excellent. The dialogue is sparing, but it's what they all do with it - especially Gary Oldman - that helps make this film stand out. Two hours just flew by, and if you are fan of the music and interested in the man - then this is a good watch.

Production companies

Who made it

  • Icon Productions

    Icon Productions

    US

Key crew

  • ProducerBruce Davey
  • Executive ProducerStephen McEveety
  • Second Assistant DirectorTrey Batchelor
  • Costume DesignerMaurizio Millenotti
  • Production DesignJiří Hlupý
  • EditorDan Rae
  • Art DirectionJohn Myhre
  • Art DirectionOlga Rosenfelderová
  • Compositing ArtistJanek Sirrs
  • Negative CutterMo Henry
  • Title DesignerKyle Cooper

Themes & keywords

What it's about, really

  • composer
  • deaf
  • letter
  • biography
  • sister-in-law
  • character study
  • uncle nephew relationship
  • für elise
  • ludwig van beethoven
  • portrait of an artist
  • life and career
  • classical musician
  • biographical drama
  • musician’s journey

Release history · US

When it landed

  • Theatrical (limited)1994-12-16· Los Angeles, California
  • Theatrical1995-01-27R

Also known as

International titles

  • Halhatatlan kedvesHU
  • Ludwig Van B.FR
  • Paixão ImortalPT
  • Minha Amada ImortalBR
  • Amada InmortalAR
  • Sonate au clair de luneCA
  • Bəstəkarın MəhəbbətiAZ

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