
Did you know
Mid-budget at $55M — the now-extinct middle tier of Hollywood.

"Escape is the only option"
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights. But Ember's once powerful generator is failing and the great lamps that illuminate the city are starting to flicker. Now, two teenagers, in a race against time, must search Ember for clues that will unlock the ancient mystery of the city's existence, before the the lights go out forever.
“Escape is the only option”
Where to watch · US

Saoirse Ronan
Lina Mayfleet

Harry Treadaway
Doon Harrow

Bill Murray
Mayor Cole

David Ryall
Chief Builder

Tim Robbins
Loris Harrow

Mackenzie Crook
Looper

Marianne Jean-Baptiste
Clary

Mary Kay Place
Mrs. Murdo
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Gil Kenan directs. Xavier Grobet behind the camera. Andrew Lockington scores. Zach Staenberg cuts. Runs lean at under 100 minutes. A commercial under-performer on release. Produced in United States of America. Dialogue in English.
Trivia
Awards
6 nominations total
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Full-resolution frames — open one to save it as a wallpaper.
Trailers & featurettes
Community reviews
With the future of the planet in grave danger, some far-sighted builders decide that it’s best for humanity to build a subterranean city into which they can retreat. It’s got to be something self-sustaining as they are going to be down there for a couple of centuries. They do provide exit instructions, but over time they get lost and so nobody knows that maybe it’s time to resurface. Now, though, the engineering is starting to give up the ghost and that means power and food are becoming rationed. The mayor (Bill Murray) is hopelessly out of his depth/obsessed with his own position and the chief electrician “Sul” (Martin Landau) is running out of ideas so it falls to the unlikely pairing of youngsters “Lina” (Saoirse Ronan) and “Doon” (Harry Treadaway) to rekindle the population’s appetite to get some fresh air. Luckily, she has a box left to her by her grandmother and as their jobs involve them clambering around the city’s gubbins, they can begin to explore in earnest. This isn’t something they can advertise - the mayor and his thugs will not brook any disenchantment in their city, even if the lights are all about to go out. Now having to fight a rearguard action too, can they discover a way out - and even if they do, is there anything left? I liked the creative style of this film and the fantasy is well explored and unravelled by the engaging partnership of Treadaway and Ronan amidst a city of colourful visual effects. Murray hams up nicely and there’s just the hint of menace from the Dickensianly monikered “Barton Snode” (Toby Jones) to keep the adventure moving along quickly for a ninety minutes of passages, pipe works and grand scale machinery. If you’re looking for complex psychology here then don’t bother, it’s all simply presented family fayre with a cast that look like they are enjoying telling us a story that looks great and vibrates when it’s meant to.
Production companies

Playtone
US

Walden Media
US
Themes & keywords
Release history · US
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