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Funny Face poster

Funny Face

"S'Wonderful! S'Marvelous! ...She's The Fairest Lady of All!"

1957 1h 43m EN
πŸ‘
7.0
SOLID
β˜…7.0TMDB Β· 755
MusicComedyRomance
Synopsis
Spoiler shield

A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.

β€œS'Wonderful! S'Marvelous! ...She's The Fairest Lady of All!”

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Cast

Credits

Behind the camera

Director
Stanley Donen
Writers
Leonard Gershe
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

69 years old β€” a genuine piece of film history.

MoodPlayr Β· trivia#01
2 / 7
DIRECTOR

Did you know

Directed by Stanley Donen, shot by Ray June. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#02
3 / 7
DIRECTOR

Did you know

Original score by George Gershwin. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#03
4 / 7
DIRECTOR

Did you know

Editor Frank Bracht shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#04
5 / 7
CAST

Did you know

Audrey Hepburn and Fred Astaire and Kay Thompson carry the top of the cast.

MoodPlayr Β· trivia#05
6 / 7
AWARDS

Did you know

Marketing tagline: "S'Wonderful! S'Marvelous! ...She's The Fairest Lady of All!".

MoodPlayr Β· trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt0050419 β€” still the authoritative cross-reference for credits and trivia.

MoodPlayr Β· trivia#07

Cinephile deep dive

The take

Stanley Donen directs. Ray June behind the camera. George Gershwin scores. Frank Bracht cuts. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 169 years old β€” a genuine piece of film history.
  • 2Directed by Stanley Donen, shot by Ray June. Note their partnership β€” DPs and directors often return to each other across a career.
  • 3Original score by George Gershwin. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 4Editor Frank Bracht shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Audrey Hepburn and Fred Astaire and Kay Thompson carry the top of the cast.
  • 6Marketing tagline: "S'Wonderful! S'Marvelous! ...She's The Fairest Lady of All!".
  • 7IMDB entry: tt0050419 β€” still the authoritative cross-reference for credits and trivia.
  • 8Classified under 15 themes, including "dance", "paris, france", "photographer", "intellectual".

The technical file

Cinematography
Ray June
Original score
George Gershwin
Editing
Frank Bracht
Costume design
Edith Head
Makeup / hair
Wally Westmore
Runtime
103 min Β· 1h 43m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN
Certification (US)
NR

Awards

  • National Board of Review: Top Ten Films

Individual records documented via Wikidata; the summary above may count more.

Also by

Stanley Donen

Stills Β· wallpapers

Selected frames

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Trailers & featurettes

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Community reviews

What people are saying

  • CinemaSerf
    β˜… 7/10

    Despite the presence of Audrey Hepburn and Fred Astaire, I think this film actually belongs to Kay Thompson. She plays really well as the 1950s version of Dame Anna Wintour in this amiable, if a little thinly spread, musical comedy. Infuriated by the rather drab quality of her latest "Quality" magazine, she determines to revamp the whole thing. In pink! A bookshop being used for a photo shoot by "Avery" (Astaire) provides the unlikely source for her new model - "Jo" (Hepburn) who is to the fashion industry what Herod was to babies. "Avery" is clever, though, and he offers a trade off that sees her do a shoot in Paris in return for a meeting with "Prof. Flostre" (Michel Auclair). What now ensues is all fairly predictable, a love triangle with "Jo" in the middle vacillating. George & Ira Gerschwin provided the musical numbers, and though they are very well staged, the film lacks a killer song. That said, Thompson is on super form as the no-nonsense boss, the dance numbers are colourful and energetic and finally, Hepburn has a lovely vivacity and enthusiasm to her performance - she takes to the musical numbers very much like a duck to water. Astaire isn't at his best, and Robert Flemyng's accent isn't the best either - but at the end, the whole thing falls into place with an enjoyable certainty.

Production companies

Who made it

  • Paramount Pictures

    Paramount Pictures

    US

Key crew

  • ProducerRoger Edens
  • Costume DesignEdith Head
  • Costume DesignHubert de Givenchy
  • SongsGeorge Gershwin
  • LyricistIra Gershwin
  • OrchestratorAdolph Deutsch
  • ConductorAdolph Deutsch
  • OrchestratorConrad Salinger
  • OrchestratorVan Cleave
  • OrchestratorAlexander Courage
  • OrchestratorSkip Martin
  • Additional MusicRoger Edens
  • Additional MusicLeonard Gershe
  • ChoreographerEugene Loring
  • ChoreographerFred Astaire
  • OtherRichard Mueller
  • Art DirectionHal Pereira
  • Art DirectionGeorge W. Davis
  • EditorFrank Bracht
  • Special EffectsJohn P. Fulton
  • Special EffectsFarciot Edouart
  • Set DecorationSam Comer
  • Set DecorationRay Moyer
  • Makeup SupervisorWally Westmore

Themes & keywords

What it's about, really

  • dance
  • paris, france
  • photographer
  • intellectual
  • musical
  • beatnik
  • man woman relationship
  • fashion photographer
  • book store
  • eiffel tower, paris
  • fashion show
  • fashion magazine
  • high fashion
  • fashion model
  • women's fashion

Release history Β· US

When it landed

  • Theatrical1957-02-13NR

Also known as

International titles

  • Das rosarote MannequinDE
  • Una cara con angelES
  • 파리의 연인KR
  • Amo ParΓ­sMX
  • ε·΄ι‡Œμ˜ 戀人KR
  • ν™”λ‹ˆ 페이슀KR
  • UsmΔ›vavΓ‘ tvΓ‘Ε™CZ

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