I Want Your Sex

Cinephile deep dive

The take

Gregg Araki directs. Tucker Korte behind the camera. James Clements scores. Gregg Araki cuts. Runs lean at under 100 minutes. A commercial under-performer on release. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

• 190 minutes exactly — the "classic feature" runtime most directors aim for.
• 2Earned back only 20% of its budget on initial theatrical — a commercial disappointment on release.
• 3Released this year — you're seeing it while it's still in the cultural conversation.
• 4Directed by Gregg Araki, shot by Tucker Korte. Note their partnership — DPs and directors often return to each other across a career.
• 5Original score by James Clements. Worth a dedicated listen after — most great films lose half their impact without the score.
• 6Editor Gregg Araki shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 7Olivia Wilde and Cooper Hoffman and Mason Gooding carry the top of the cast.
• 8Marketing tagline: "Don't worry, you'll like it.".
• 9IMDB entry: tt32332915 — still the authoritative cross-reference for credits and trivia.
• 10Classified under 19 themes, including "eroticism", "artist", "satire", "muse".

The technical file

Cinematography

Tucker Korte

Original score

James Clements

Editing

Gregg Araki

Production design

Angelique Clark

Costume design

Arianne Phillips

Makeup / hair

Alex Perrone

VFX supervisor

Stephen Siemens

Sound

Trip Brock

Stunt coordinator

Lou Simon

Runtime

90 min · 1h 30m

Aspect ratio (typical)

1.37:1 (Academy)

Status

Released

Budget

$10,000,000

Box office

$2,000,000

Return

20% of budget

Original language

EN

Certification (US)

R

IMDB

I Want Your Sex (2026) ↗

Also by

Gregg Araki

• 
  Riverdale

  2017 · ★ 8.4
• 
  DAHMER - Monster: The Jeffrey Dahmer Story

  2022 · ★ 8.0
• 
  Mysterious Skin

  2005 · ★ 7.7
• 
  13 Reasons Why

  2017 · ★ 7.5
• 
  Red Oaks

  2014 · ★ 7.4
• 
  Greenleaf

  2016 · ★ 7.1

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper Wallpaper Wallpaper

Trailers & featurettes

Watch the pieces

• 

  ▶
  'Gen Z'

  Clip · Official
• 

  ▶
  In UK Cinemas Now

  Teaser · Official
• 

  ▶
  In UK cinemas tomorrow.

  Teaser · Official
• 

  ▶
  You know you want it.

  Teaser · Official
• 

  ▶
  In cinemas Friday.

  Teaser · Official
• 

  ▶
  Q&A with Star Cooper Hoffman and Director Gregg Araki

  Featurette · Official

Community reviews

What people are saying

• Leno2026-07-29
  ★ 4/10

  Extremely sexually explicit comedy version of "babygirl" where the sub is actually the intern. Some few funny jokes and decently executed but overall a forgettable movie

  Read full review ↓
• Brent Marchant2026-07-30
  ★ 8/10

  Sex is one of those subjects that can be difficult to address on film. It can easily come across as shallow, silly titillation, as bawdy, shameless voyeurism, or as a veiled form of porn euphemistically garbed as a work of erotic art. What’s more, viewers going into theaters to watch offerings about this subject may have expectations that don’t reflect any of the foregoing examples or that don’t live up to what they anticipate, leaving many audience members frustrated and disappointed. But, every so often, a movie comes along that gets things right, as is very much the case with the new comedy from writer-director Gregg Araki. As the film’s title unabashedly proclaims, this release is unapologetically about what it says it is, at least superficially. In actuality, however, there’s much more to this offering than what it suggests, and that’s what helps to make this an insightfully worthwhile watch, sexual considerations notwithstanding. In essence, the film follows the outrageous exploits of an outspoken, freewheeling, perpetually thirsty erotic artist, Erika Tracy (Olivia Wilde), and one of her naïve, sheepish gallery assistants, Elliott (Cooper Hoffman), who engage in a wildly uninhibited relationship ostensibly built just on sex. In many ways, it’s a scenario in which submissive, clueless Elliott finds himself in way over his head. However, as a recent college graduate in need of work, he takes the job, which, despite the considerable demands of his indisputably dominant boss, ironically ends up being quite liberating and erotically fulfilling (especially since his cold, perpetually indifferent girlfriend, Minerva (Charli XCX), frequently leaves him and his needs unattended, prompting Elliott to engage in frequent acts of “self-satisfaction”). As time passes, though, relations between Erika and Elliott start to sour as he begins to take the nature of their relationship seriously (some might even say obsessively), something that she views as completely casual, easily dismissive and lacking in the same emotional intensity as her ever-hopeful would-be suitor. And this, in turn, causes Elliott’s life to fall apart on multiple fronts, even leading to specious suspicions involving murder raised by two perplexed, stone-faced detectives (Johnny Knoxville, Margaret Cho). What’s perhaps most fascinating about this film, though, is the many issues it examines through the lens of sex. The relationship between Erika and Elliott may begin with and be rooted in sex, but it raises questions about such matters as honesty, trust, control and obsession, as well as the relationship dynamics of dom-sub sexuality. The narrative also introduces passing but relevant observations about generational social attributes and how they’re reflected through sexuality, just like virtually all other aspects of life. This makes for an incisive, smartly written movie, one far different from what one might expect (and from conclusions one might draw from its somewhat misleading trailer, which occasionally makes this film look like the second coming of entries from the “Porky’s” franchise). It’s also refreshing to see an offering that isn’t afraid to talk about sex in a frank but humorous context without continually turning its story elements into little more than glorified punchlines. And, even though “I Want Your Sex” is erotically explicit (sensitive viewers take note), it’s never depicted gratuitously or in blatantly bad taste. This is all made possible by the film’s fine script and sustained pacing, backed by the excellent performances of Wilde (what a year she’s having!), Hoffman and the superbly cast ensemble of supporting players, including both those named above and the characters portrayed by Mason Gooding, Daveed Diggs and Chase Sui Wonders. It’s truly amazing how a picture about a topic that might typically be casually cast aside or summarily denigrated can be as thought-provoking as this one. But, as Erika so often astutely observes, sex can open the door to something that is remarkably revelatory in our creativity, our actions and our outlooks – and not just in the bedroom.

  Read full review ↓
• CinemaSerf2026-09-14
  ★ 6/10

  "Elliot" (Cooper Hoffman) is working for a renowned artist "Erika" (Olivia Wilde) when she starts to show a little extra interest in him. He's intrigued and more than a little curious, but he is ill-prepared for just what she has in mind when she invites him back to her home - ostensibly for professional purposes - and introduces him to her kinky-side. Meantime, he's been chucked out of his apartment and is taking a break from his studious and physically uninterested girlfriend (Charlie xCx) and so is staying with his sexually fluid colleague "Zap" (Mason Gooding). Now with his sexual boundaries being tested and his eyes (amongst other things) being well and truly opened, his love life becomes something of a rollercoaster to which he is becoming increasingly addicted. The problem might be, though, that "Erika" isn't exactly reciprocating on any emotional fronts. For her, he has a role and a purpose and she seems quite capable of switching on and off at will - much to his chagrin. With his now obvious obsession to her and her power becoming clear, what happens next? The first half hour of this is actually quite ground-breaking; not least because both Hoffman and Wilde throw themselves into their parts enthusiastically and there are some accompanying pithy remarks from the smart-mouthed "Zap", but after that it sort of plateaus into something that runs out of steam before becoming vaguely preposterous - even by battery-powered standards. It's kinkiness is fun, is cringe-making and is innovative but that isn't sustained and with the dialogue never really making that much of an impact on the proceedings, I'm afraid I sort of lost interest. It certainly emphasises that pleasures of the flesh and of the mind are not necessarily restricted to people of the opposite sex, nor to anything even remotely conventional but once that point has been made once or twice, I thought this just became a bit repetitious and the conclusion rushed like Agatha Christie on Ketamine. It'd worth a look for two initially quite quirky performances, but that's about the height of it.

  Read full review ↓

Production companies

Who made it

• 

  Black Bear Pictures

  US

• 

  Desperate Pictures

  US

Key crew

• ProducerMichael Heimler
• ProducerTeddy Schwarzman
• Executive ProducerJohn Friedberg
• ProducerSeth Caplan
• Executive ProducerJoanne Roberts Wiles
• ProducerGregg Araki
• ProducerKarley Sciortino
• EditorGregg Araki
• Costume DesignArianne Phillips
• CastingArlie Day
• CastingMike Page
• Production DesignAngelique Clark
• Art DirectionMike Conte
• Set DecorationMaya Slininger
• Makeup Department HeadAlex Perrone
• Still PhotographerLacey Terrell
• Hair Department HeadPavy Olivarez
• Co-ProducerBeau J. Genot
• Key Hair StylistLydia Fantini
• Key Makeup ArtistRoxanne McDanel
• Second Assistant DirectorTim Neven
• Set Decoration BuyerDanielle Armstrong
• Property MasterSarah Snyder
• Lighting TechnicianStephen Bacquet

Themes & keywords

What it's about, really

• eroticism
• artist
• satire
• muse
• sexual harassment
• sexual art
• mansion
• los angeles, california
• art gallery
• masturbation
• sexual desire
• threesome
• dildo
• missing person
• bdsm
• lgbt
• police interrogation
• generation z
• independent film

Release history · US

When it landed

• Premiere2026-01-23· Sundance Film Festival
• Premiere2026-04-16· Wisconsin Film Festival
• Premiere2026-04-13· Miami Film Festival
• Premiere2026-04-17· Florida Film Festival / Sarasota Film Festival
• Premiere2026-04-18· Milwaukee Film Festival / PFS SpringFest
• Premiere2026-04-24· Independent Film Festival Boston / Indianapolis Film Festival
• Premiere2026-05-15· Seattle International Film Festival
• Premiere2026-05-30· NewFest Pride / Berkshire International Film Festival
• Premiere2026-05-02· Atlanta Film Festival
• Premiere2026-06-11· Provincetown International Film Festival

Also known as

International titles

• Quiero Tu SexoMX
• Es gribu tikai seksuLV
• Noriu tik seksoLT