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Christy

"What does it take to become a legend?"

2025 2h 14m EN
👍
7.1
SOLID
★7.1TMDB · 240
HistoryDrama
Synopsis
Spoiler shield

Christy Martin never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for punching people. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim. But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death.

“What does it take to become a legend?”

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Cast

Credits

Behind the camera

Director
David Michôd
Writers
Katherine Fugate, David Michôd, Mirrah Foulkes
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Earned back only 16% of its budget on initial theatrical — a commercial disappointment on release.

MoodPlayr · trivia#01
2 / 8
ERA

Did you know

Released last year.

MoodPlayr · trivia#02
3 / 8
DIRECTOR

Did you know

Directed by David Michôd, shot by Germain McMicking. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Original score by Antony Partos. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Editor Matt Villa shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05
6 / 8
CAST

Did you know

Sydney Sweeney and Ben Foster and Merritt Wever carry the top of the cast.

MoodPlayr · trivia#06
7 / 8
FACT

Did you know

Marketing tagline: "What does it take to become a legend?".

MoodPlayr · trivia#07
8 / 8
WILD

Did you know

IMDB entry: tt32323252 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

David Michôd directs. Germain McMicking behind the camera. Antony Partos scores. Matt Villa cuts. A commercial under-performer on release. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Earned back only 16% of its budget on initial theatrical — a commercial disappointment on release.
  • 2Released last year.
  • 3Directed by David Michôd, shot by Germain McMicking. Note their partnership — DPs and directors often return to each other across a career.
  • 4Original score by Antony Partos. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 5Editor Matt Villa shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Sydney Sweeney and Ben Foster and Merritt Wever carry the top of the cast.
  • 7Marketing tagline: "What does it take to become a legend?".
  • 8IMDB entry: tt32323252 — still the authoritative cross-reference for credits and trivia.
  • 9Classified under 12 themes, including "attempted murder", "based on true story", "west virginia", "domestic violence".

The technical file

Cinematography
Germain McMicking
Original score
Antony Partos
Editing
Matt Villa
Production design
Chad Keith
Makeup / hair
Ashleigh Chavis
VFX supervisor
Jason Hawkins
Sound
Robert Mackenzie
Stunt coordinator
Walter Garcia
Runtime
134 min · 2h 14m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$15,000,000
Box office
$2,343,418
Return
16% of budget
Original language
EN
Certification (US)
R

Also by

David Michôd

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    ★ 6/10

    Sydney Sweeney delivers quite charismatically here as a young woman coming to terms with her own identity, whilst discovering she has quite a powerful punch. She, Christy Salters, has to keep her relationship with Rosie (Jess Gabor) under wraps from her slightly zealous mother (Merritt Wever) as her fighting skills attract the attention of a promoter who sees potential in her no-mercy style of fighting and who sends her to his trainer Jim Martin (Ben Foster). Initially, this man just wants shot of her but gradually learns to appreciate that she has a shot at something bigger. It’s made clear that any fluidity in her sexuality is not going to be tolerated, and with Rosie finding a new man she is soon hooked up with, and married to, Jim. A career under the auspices on the enigmatic Don King (Chad Coleman) now beckons, with all it’s commitment, dedication and dollars - but as she succeeds, we all begin to realise there are cracks a-plenty in her personal life, cocaine starts to play it’s part and the dynamic of her relationship with her husband becomes more oppressive and controlling. Professionally, things are set to come to an head with her famous fight against Laila Ali and personally, how long can this toxic marriage last? The story of this woman’s achievements is certainly worth telling, and I do recall the hype around the Ali fight in 2003, but despite Sweeney’s best efforts I just found this to be an unevenly paced and frankly rather sterile depiction of Martin’s life. It spends far too long on the development phase, skirts over too much of that which makes her personable and drifts all too often into a disappointing melodrama that robs the thing of much of the vitality that this ought to have delivered. Foster looks the part, ok, but again his character is left undercooked and I really struggled to get to grips with why she ever fell for him in the first place, much less married him - especially when he presented her with a pink kit. For a film that is about addiction, in many different forms, it hasn’t any sense of urgency or spark - indeed, I did find myself looking at my watch a couple of times as this 2¼ hours plods along. What action scenes there are are well presented, but there aren’t really enough of them to help this immerse us in the very visceral and conflicted nature of this woman’s life, and in many ways this was just as much a mismatch as many of her early fights. Pity.

Production companies

Who made it

  • Anonymous Content

    Anonymous Content

    US

  • YO

    Yoki

    US

  • Votiv Films

    Votiv Films

    US

  • Fifty-Fifty Films

    Fifty-Fifty Films

    US

  • Black Bear Pictures

    Black Bear Pictures

    US

Key crew

  • Executive ProducerDavid Levine
  • Executive ProducerNick Shumaker
  • ProducerTeddy Schwarzman
  • ProducerDavid Michôd
  • ProducerSydney Sweeney
  • Executive ProducerMichael Heimler
  • ProducerKerry Kohansky-Roberts
  • Executive ProducerJohn Friedberg
  • Executive ProducerBrad Zimmerman
  • ProducerBrent Stiefel
  • Executive ProducerMirrah Foulkes
  • ProducerJustin Lothrop
  • Executive ProducerRyan Schwartz
  • Makeup Department HeadAshleigh Chavis
  • First Assistant DirectorAlisa Fredericks
  • Second Assistant DirectorBrendalyn Richard
  • Production DesignChad Keith
  • StuntsNadia Lorencz
  • EditorMatt Villa
  • Key Makeup ArtistMegan Deputy
  • Executive ProducerAndrew Golov
  • Executive ProducerClementine Quittner
  • Costume DesignerChristina Flannery
  • Visual Effects SupervisorJason Hawkins

Themes & keywords

What it's about, really

  • attempted murder
  • based on true story
  • west virginia
  • domestic violence
  • female boxing
  • boxing
  • 1990s
  • sports drama
  • admiring
  • assertive
  • based on real person
  • biographical drama

Release history · US

When it landed

  • Premiere2025-10-25· AFI Fest
  • Premiere2025-10-20· Philadelphia Film Festival
  • Premiere2025-10-23· Virginia Film Festival, Austin Film Festival
  • Premiere2025-10-19· Woodstock Film Festival
  • Premiere2025-10-04· Hamptons International Film Festival
  • Premiere2025-10-22· Hawai'i International Film Festival
  • Premiere2025-10-26· Montclair Film Festival
  • Premiere2025-10-13· Heartland International Film Festival
  • Premiere2025-10-15· Orcas Island Film Festival
  • Premiere2025-11-05· Denver Film Festival

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