
Did you know
90 minutes exactly — the "classic feature" runtime most directors aim for.

The tenants of an old London boarding house spend their time in petty bickering and sniping until a mysterious stranger arrives at their door.
“Some stories are better left unspoiled.”
Where to watch · US

Conrad Veidt
The Stranger

Rène Ray
Stasia

Frank Cellier
Wright

Anna Lee
Vivian Tomkin

John Turnbull
Major Tomkin

Cathleen Nesbitt
Mrs. Tomkin

Ronald Ward
Chris Penny

Beatrix Lehmann
Miss Kite
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Berthold Viertel directs. Curt Courant behind the camera. Hubert Bath scores. Derek N. Twist cuts. Runs lean at under 100 minutes. Produced in United Kingdom. Dialogue in English.
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Community reviews
Don't be put off by the rather convoluted title. This is quite a clever story of man's inhumanity to his fellow creature. Frank Cellier is "Wright" by name, but seldom by nature in this tale of a group of lodgers living in his old London boarding house. The occupant's lives vacillate between occasional joy but mostly misery, and he relishes in prolonging the latter states of affairs - especially for the young kitchen maid "Stasia" (a good effort here from Rene Ray) who lives an almost "Cinderella" style existence. Then a stranger - Conradt Veidt - arrives amongst their number, and slowly but surely things start to take turns for the better for many of his colleagues. This new found happiness doesn't suit "Wright" and soon he is plotting the downfall of the newcomer, too. It's quite a basic, stage-bound, production, and many of the stars cut their teeth in that medium between the wars - Anna Lee, Cathleen Nesbitt and the instantly recognisable Sarah Allgood, so know their business well enough. Each character has their few moments in the sun as Veidt tries to help them to help themselves, not by giving them cash or jobs, but by empowering them to take control of their own lives more - and his approach is surprisingly effective. Veidt is perfectly attired, aloof and debonaire with this performance, yet he does illuminate each scene with an intimacy. A kindness, maybe angelic or maybe just something more down to Earth - a decency of heart and spirit. Cellier's portrayal of the odious, manipulative landlord ought not to be overlooked either, he manages quite successfully to get your heckles up before a suitably fitting ending!
Production companies
Gaumont-British Picture Corporation
GB
Themes & keywords
Release history · US
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