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Sound of Falling

"The past doesn't fade. It echoes."

2025 2h 28m DE
👍
7.0
SOLID
★7.0TMDB · 127
Drama
Synopsis
Spoiler shield

Four adolescent girls each spend their youth in the same farmhouse over the last century. Though separated by decades, resonances between their lives emerge: their desires and distress, secrets and truths, encounters with another’s gaze and defiant gaze in return.

“The past doesn't fade. It echoes.”

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Cast

Credits

Behind the camera

Director
Mascha Schilinski
Writers
Louise Peter, Mascha Schilinski
Languages
German
Countries
Germany

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

Released last year.

MoodPlayr · trivia#01
2 / 7
DIRECTOR

Did you know

Directed by Mascha Schilinski, shot by Fabian Gamper. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Original score by Michael Fiedler. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Evelyn Rack shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
CAST

Did you know

Luise Heyer and Lena Urzendowsky and Claudia Geisler-Bading carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "The past doesn't fade. It echoes.".

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt28690468 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Mascha Schilinski directs. Fabian Gamper behind the camera. Michael Fiedler scores. Evelyn Rack cuts. Produced in Germany. Dialogue in German.

Trivia

Things worth knowing

  • 1Released last year.
  • 2Directed by Mascha Schilinski, shot by Fabian Gamper. Note their partnership — DPs and directors often return to each other across a career.
  • 3Original score by Michael Fiedler. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 4Editor Evelyn Rack shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Luise Heyer and Lena Urzendowsky and Claudia Geisler-Bading carry the top of the cast.
  • 6Marketing tagline: "The past doesn't fade. It echoes.".
  • 7IMDB entry: tt28690468 — still the authoritative cross-reference for credits and trivia.
  • 8Classified under 12 themes, including "family", "woman director", "children's story", "connected".

The technical file

Cinematography
Fabian Gamper
Original score
Michael Fiedler
Editing
Evelyn Rack
Production design
Cosima Vellenzer
Costume design
Sabrina Krämer
Makeup / hair
Dana Bieler
Sound
Billie Mind
Runtime
148 min · 2h 28m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
DE
Certification (US)
NR

Awards

  • German Film Award for Best Supporting Actress
  • German Film Award for Best Editing
  • German Film Award for Best Direction
  • German Film Award for Best Sound Design
  • German Film Award for Best Cinematography
  • Jury Prize
  • Meeting Point Europe Award
  • German Film Award for Best Costume Design
  • German Film Award Best Production Design
  • German Film Award for Best Makeup Image

Individual records documented via Wikidata; the summary above may count more.

Also by

Mascha Schilinski

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf

    This is some farmhouse! It seems to go on forever and it provides quite an effective location for this tale of four generations of the same family as they deal with life, love and tragedy across the best part of a century. Tempered with some mischief from time to time, this is not a cheery film to watch, indeed the escapades of turn of the (20th) century "Alma"; "Erika" whose story is set against the background of the Second World War; "Angelika" as the nineteen-eighties get up and running before finally "Lenka" in 2025 - at various stages of their lives, rarely delivers us anything to put a smile on their or our faces. What it does do, though, is allow us to take a grandstand seat and observe just how society, attitudes and even technology evolved as the candle gave way to electricity; the horse to the car and the women begin to take a great deal more control over their futures and their choices by the fourth iteration than they did at the first. Their stories are interwoven so it's not just a straightforward chronology of who did what to whom, when and where - and that's where I felt a little of the intrigue lay. The performances from the younger children especially Hannah Heckt's "Alma" and Filip Schnack's "Fritz" are really quite engaging as is the characterful one of Laeni Geiseler's "Lenka" and by simply sitting and watching the intimate photography intrude - but rarely pruriently - into their daily grinds, struggles and occasionally joy too this proves to be a remarkably easy thing to appreciate. Some of the arcs are complete, some are not and I think that quite clevery suggests an element of continuity to the processes of living and by the end I couldn't help but wonder if we were to make another version featuring the next four generations, what that might look like in 2125? It can be a little sluggish at times, but if you can watch it in the cinema then it sort of washes over you in quite a compelling fashion; it looks stylish and there is certainly some comment contained within it's frames that provokes some thinking.

Production companies

Who made it

  • Studio Zentral

    Studio Zentral

    DE

  • Das kleine Fernsehspiel

    Das kleine Fernsehspiel

    DE

Key crew

  • First Assistant DirectorOliver Grüttner
  • InternMarie Anhut
  • Post Production SupervisorArne Möller
  • VFX SupervisorJan Joost Verhoef
  • Manager of OperationsGabriele Hentschel
  • Additional CameraLena Krenz
  • First Assistant CameraLisa Bülow
  • First Assistant CameraJohannes Jung
  • First Assistant CameraChristian Öhl
  • Second Assistant CameraSophie Heyer
  • Data WranglerMinh Hoang Nguyen
  • Still PhotographerKirstin Schmitt
  • Assistant Costume DesignerElla Imig
  • Set CostumerMedea Karnowski
  • Set CostumerAnna Sander
  • Set CostumerElisa Bernhard
  • Set CostumerOlivier Mohrińge
  • CostumerSophie Maag
  • Key GripOliver Geissler
  • Best Boy Lighting TechnicianLuc Brocker
  • Lighting TechnicianFrançois Everwyn
  • Lighting TechnicianAtilla Opel
  • Lighting TechnicianArne Weiß
  • Makeup & HairDana Bieler

Themes & keywords

What it's about, really

  • family
  • woman director
  • children's story
  • connected
  • 1940s
  • 1980s
  • traumatic childhood
  • 1910s
  • rural
  • intergenerational trauma
  • 2020s
  • non-linear narrative

Release history · US

When it landed

  • Premiere2025-10-01· New York Film Festival
  • Premiere2025-10-11· Hamptons International Film Festival / Mill Valley Film Festival / IFFBoston Fall Focus
  • Premiere2025-10-16· New Hampshire Film Festival
  • Premiere2025-10-18· Chicago International Film Festival
  • Premiere2025-10-23· AFI Fest / Montclair Film Festival / Virginia Film Festival
  • Premiere2025-11-01· Denver Film Festival
  • Premiere2026-01-03· Palm Springs International Film Festival
  • Premiere2025-10-19· Philadelphia Film Festival
  • Premiere2025-10-15· Orcas Island Film Festival
  • Premiere2025-10-20· Vermont International Film Festival

Also known as

International titles

  • The Doctor Says, I'll Be Alright but I'm Feelin' BlueGB
  • Looking at the SunGB
  • Olhar o SolPT
  • El sonido de la caídaES
  • Žvelgiant į saulęLT
  • 落下音JP
  • Putoamisen ääniFI

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