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Black Box Diaries poster

Black Box Diaries

"A night that changed her life became a scandal that rocked a nation."

2024 1h 43m EN
πŸ™Œ
7.6
BANGER
β˜…7.6TMDB Β· 98
Documentary
Synopsis
Spoiler shield

Journalist Shiori Ito embarks on a courageous investigation of her own sexual assault in an improbable attempt to prosecute her high-profile offender. Her quest becomes a landmark case in Japan, exposing the country's outdated judicial and societal systems.

β€œA night that changed her life became a scandal that rocked a nation.”

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Cast

Credits

Behind the camera

Director
Shiori Ito
Writers
Shiori Ito
Languages
English, Japanese
Countries
Japan, United States of America, United Kingdom

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

Released 2 years ago.

MoodPlayr Β· trivia#01
2 / 8
WORLD

Did you know

Dialogue crosses 2 languages: English, Japanese.

MoodPlayr Β· trivia#02
3 / 8
WORLD

Did you know

International production across 3 countries: Japan, United States of America, United Kingdom.

MoodPlayr Β· trivia#03
4 / 8
ERA

Did you know

Lean credit list β€” fewer than 30 people officially credited.

MoodPlayr Β· trivia#04
5 / 8
DIRECTOR

Did you know

Directed by Shiori Ito, shot by Yuta Okamura. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#05
6 / 8
DIRECTOR

Did you know

Original score by Mark degli Antoni. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#06
7 / 8
DIRECTOR

Did you know

Editor Ema Ryan Yamazaki shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#07
8 / 8
CAST

Did you know

Shiori Ito and Shinzo Abe carry the top of the cast.

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Shiori Ito directs. Yuta Okamura behind the camera. Mark degli Antoni scores. Ema Ryan Yamazaki cuts. Produced in Japan, United States of America, United Kingdom. Dialogue in English, Japanese.

Trivia

Things worth knowing

  • 1Released 2 years ago.
  • 2Dialogue crosses 2 languages: English, Japanese.
  • 3International production across 3 countries: Japan, United States of America, United Kingdom.
  • 4Lean credit list β€” fewer than 30 people officially credited.
  • 5Directed by Shiori Ito, shot by Yuta Okamura. Note their partnership β€” DPs and directors often return to each other across a career.
  • 6Original score by Mark degli Antoni. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 7Editor Ema Ryan Yamazaki shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 8Shiori Ito and Shinzo Abe carry the top of the cast.
  • 9Marketing tagline: "A night that changed her life became a scandal that rocked a nation.".
  • 10IMDB entry: tt30227076 β€” still the authoritative cross-reference for credits and trivia.
  • 11Only 98 TMDB ratings β€” you're getting ahead of the curve on this one.
  • 12Classified under 14 themes, including "japan", "sexual violence", "justice", "human rights".

The technical file

Cinematography
Yuta Okamura
Original score
Mark degli Antoni
Editing
Ema Ryan Yamazaki
Sound
Andrew Tracy
Runtime
103 min Β· 1h 43m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN

Also by

Shiori Ito

Stills Β· wallpapers

Selected frames

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    β˜… 7/10

    This is quite an harrowing watch at times whilst we follow Japanese journalist Shiori ItΓ΄ as she seeks justice for an alleged rape a few years earlier. To be fair, up front, this is not a balanced documentary but a potent video-diary style presentation crafted by the woman herself to not only document the course of her own battle, but also to illustrate just how out-dated the legal processes were in a nation that's legal system still treated women as a possession of a man in many ways. We identify the accused - from whom we do not hear directly or via his representatives, and from there on we focus on her attempts to see him face her accusations. The film now concentrates on the courageous efforts of a woman to see that process of justice done. The laws that inherently obstruct her need to be identified, addressed and replaced so as not to protect, or be seen to protect, any influential people from heinous crimes of any sort. It also goes on to demonstrate quite effectively just how difficult - if you are to adopt the "innocent til proven guilty" approach that underpins so much of the legal system - it is to adequately codify crimes of an intimate nature ensuring that they are to be objectively dealt with. Especially problematic as there are so often no witnesses and/or extensive time lapses between the incident and any attempt at redress. It's also quite potent at illuminating what I feel are the frequently absurd differentiations between the evidence required for a criminal or a civil case. The latter always feels to me that it's more about balance of probability, sometimes even money rather than seeing the rule of law robustly and impartially upheld in the first place. This doesn't provide answers to these complex issues, indeed I suspect there are no straightforward answers - but that anyone has to go through this kind of emotional maelstrom just to get a day in court is something that the public ought to feel disgusted by.

Production companies

Who made it

  • STAR SANDS

    STAR SANDS

    JP

  • Hanashi Films

    Hanashi Films

    GB

  • Cineric Creative

    Cineric Creative

    US

  • Spark Features

    Spark Features

    US

Key crew

  • Executive ProducerMitsunobu Kawamura
  • ProducerEric Nyari
  • ProducerHanna Aqvilin
  • ProducerShiori Ito
  • EditorEma Ryan Yamazaki
  • Co-ProducerTakashi Shinomiya
  • Sound MixerAndrew Tracy
  • Executive ProducerRobina Riccitiello
  • Executive ProducerJosh Peters
  • Consulting EditorMaya Daisy Hawke
  • Co-ProducerRyo Yukizane
  • Co-ProducerEma Ryan Yamazaki
  • Co-ProducerYuta Okamura
  • Co-EditorMariko Montpetit
  • ColoristFumiro Sato
  • Executive ProducerNina L. Diaz
  • Executive ProducerLiza Burnett Fefferman
  • BookShiori Ito
  • In Memory OfMitsunobu Kawamura
  • Sound DesignerAndrew Tracy

Themes & keywords

What it's about, really

  • japan
  • sexual violence
  • justice
  • human rights
  • female journalist
  • woman director
  • sexual assault
  • fight for justice
  • gender equality
  • systemic corruption
  • corrupt legal system
  • accountability
  • me too movement
  • disgusted

Release history Β· US

When it landed

  • Premiere2024-01-20Β· Sundance Film Festival
  • Theatrical (limited)2024-10-25
  • Digital2025-01-07

Also known as

International titles

  • γƒ–γƒ©γƒƒγ‚―γƒ»γƒœγƒƒγ‚―γ‚Ήγƒ»γƒ€γ‚€γ‚’γƒͺγƒΌγ‚ΊJP
  • Journal intime d'un violFR
  • TagebΓΌcher eines MissbrauchsDE

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