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Tight 8-minute runtime — shorter than most television pilots.

The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.
“Some stories are better left unspoiled.”

Jean-Michel Vovk
L'assassino

Sandrine Laroche
The woman
Lea Capraro
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Hélène Cattet directs. Manuel Dacosse behind the camera. Daniel Bruylandt cuts. Runs lean at under 100 minutes. Produced in Belgium. Dialogue in French.
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