Mood.Playr
Sign in
Souleymane's Story poster

Souleymane's Story

2024 1h 34m FR
🙌
7.5
BANGER
★7.5TMDB · 409
Drama
Synopsis
Spoiler shield

As he pedals through the streets of Paris to deliver meals, Souleymane recounts his story. In two days, he has to go through his asylum application interview, the key to obtaining papers, but Souleymane is not ready.

“Some stories are better left unspoiled.”

Share

Cast

Credits

Behind the camera

Director
Boris Lojkine
Writers
Boris Lojkine, Delphine Agut
Languages
English, French, Fulah, Turkish
Countries
France

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 6
ERA

Did you know

Released 2 years ago.

MoodPlayr · trivia#01
2 / 6
WORLD

Did you know

Dialogue crosses 4 languages: English, French, Fulah, Turkish.

MoodPlayr · trivia#02
3 / 6
DIRECTOR

Did you know

Directed by Boris Lojkine, shot by Tristan Galand. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 6
DIRECTOR

Did you know

Editor Xavier Sirven shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 6
CAST

Did you know

Abou Sangare and Nina Meurisse and Alpha Oumar Sow carry the top of the cast.

MoodPlayr · trivia#05
6 / 6
WILD

Did you know

IMDB entry: tt32086046 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#06

Cinephile deep dive

The take

Boris Lojkine directs. Tristan Galand behind the camera. Xavier Sirven cuts. Runs lean at under 100 minutes. Produced in France. Dialogue in English, French, Fulah, Turkish.

Trivia

Things worth knowing

  • 1Released 2 years ago.
  • 2Dialogue crosses 4 languages: English, French, Fulah, Turkish.
  • 3Directed by Boris Lojkine, shot by Tristan Galand. Note their partnership — DPs and directors often return to each other across a career.
  • 4Editor Xavier Sirven shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Abou Sangare and Nina Meurisse and Alpha Oumar Sow carry the top of the cast.
  • 6IMDB entry: tt32086046 — still the authoritative cross-reference for credits and trivia.
  • 7Released under 12 different titles around the world.

The technical file

Cinematography
Tristan Galand
Editing
Xavier Sirven
Production design
Géraldine Stivet
Costume design
Marine Peyraud
Makeup / hair
Sandrine Denis
Sound
Samuel Aïchoun
Runtime
94 min · 1h 34m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Box office
$4,399,858
Original language
FR

Awards

  • Lumière Award for Best Actor

Individual records documented via Wikidata; the summary above may count more.

Also by

Boris Lojkine

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Brent Marchant
    ★ 7/10

    Are there times when telling the truth is not necessarily the wisest course to follow in getting what you want? Some might say, somewhat self-righteously, never. However, for those faced with potentially problematic circumstances, that might not be the case. Such is the conundrum faced by Guinean immigrant Souleymane Sangaré (Abou Sangare), who relocates to France to escape the many hardships in his African homeland. He hopes to secure a permanent new home for himself by seeking asylum from Guinean political persecution, a designation that would earn him the protections of French authorities. There’s just one problem with his story: It’s not true. That’s not to suggest that he’s not fleeing many ordeals back home, but there’s no guarantee that they would qualify him to stay in France, no matter how problematic they might be. Hence the asylum ruse, a plan he seeks to perpetrate with the aid of Barry (Alpha Oumar Sow), an expensive (some would say extortionist) social worker/asylum broker playing on (and profiting from) Souleymane’s fears and desperation. Barry supplies his client (like many others with whom he “does business”) with phony asylum documents and an allegedly convincing personal story that he can tell to French authorities during an official interview with a government case worker (Nina Meurisse) to determine his eligibility. While preparing for his meeting with officials, Souleymane works (illegally) as a food delivery courier with the assistance of a shady associate, Emmanuel (Emmanuel Yovanie), who “rents” him fraudulent work credentials that allow him to earn money off the books, a scenario fraught with complications as he bicycles through the streets of Paris. Through this experience, viewers witness the many challenges that immigrants/asylum seekers face when trying to land a new home for themselves far away from their roots. These include numerous bureaucratic nightmares, unbridled prejudice, ubiquitous swindlers, and the frustration of being unable to do virtually anything in addressing difficulties back home, such as handling family health matters and coping with separation from loved ones like Souleymane’s fiancée (Keita Dalo). Writer-director Boris Lojkine’s latest feature outing tells an involving dramatic tale that captured three top honors at the 2024 Cannes Film Festival, including the Un Certain Regard Jury Prize, the Un Certain Regard Best Actor Award (Sangare) and the FIPRESCI Prize, among numerous other honors and nominations at other events and awards competitions. This is made possible in large part by the picture’s fine performances, as well as its atmospheric cinematography and skillful film editing, both of which show off sides of the City of Lights not often seen. There’s also a strong degree of authenticity pervading the narrative, bringing an insightful and profound level of credibility to the story. However, these assets aside, there are times when the film focuses a little too much on the setup preparation for the main event (the interview), along with a sometimes-excessive reliance on depictions of Souleymane’s workaday life, while sacrificing greater depth into the protagonist’s character development and back story. More emphasis in these key areas undoubtedly would have added more substance to the finished product, not only giving viewers a more complete picture of its lead, but also likely generating a deeper sense of empathy for his situation. As it stands now, “Souleymane’s Story” is certainly a solid offering, but, with some tweaking in these other regards, it could have elevated this release to the truly outstanding level that it might have otherwise attained.

  • Brent Marchant
    ★ 7/10

    Are there times when telling the truth is not necessarily the wisest course to follow in getting what you want? Some might say, somewhat self-righteously, never. However, for those faced with potentially problematic circumstances, that might not be the case. Such is the conundrum faced by Guinean immigrant Souleymane Sangaré (Abou Sangare), who relocates to France to escape the many hardships in his African homeland. He hopes to secure a permanent new home for himself by seeking asylum from Guinean political persecution, a designation that would earn him the protections of French authorities. There’s just one problem with his story: It’s not true. That’s not to suggest that he’s not fleeing many ordeals back home, but there’s no guarantee that they would qualify him to stay in France, no matter how problematic they might be. Hence the asylum ruse, a plan he seeks to perpetrate with the aid of Barry (Alpha Oumar Sow), an expensive (some would say extortionist) social worker/asylum broker playing on (and profiting from) Souleymane’s fears and desperation. Barry supplies his client (like many others with whom he “does business”) with phony asylum documents and an allegedly convincing personal story that he can tell to French authorities during an official interview with a government case worker (Nina Meurisse) to determine his eligibility. While preparing for his meeting with officials, Souleymane works (illegally) as a food delivery courier with the assistance of a shady associate, Emmanuel (Emmanuel Yovanie), who “rents” him fraudulent work credentials that allow him to earn money off the books, a scenario fraught with complications as he bicycles through the streets of Paris. Through this experience, viewers witness the many challenges that immigrants/asylum seekers face when trying to land a new home for themselves far away from their roots. These include numerous bureaucratic nightmares, unbridled prejudice, ubiquitous swindlers, and the frustration of being unable to do virtually anything in addressing difficulties back home, such as handling family health matters and coping with separation from loved ones like Spuleymane’s fiancée (Keita Dalo). Writer-director Boris Lojkine’s latest feature outing tells an involving dramatic tale that captured three top honors at the 2024 Cannes Film Festival, including the Un Certain Regard Jury Prize, the Un Certain Regard Best Actor Award (Sangare) and the FIPRESCI Prize, among numerous other honors and nominations at other events and awards competitions. This is made possible in large part by the picture’s fine performances, as well as its atmospheric cinematography and skillful film editing, both of which show off sides of the City of Lights not often seen. There’s also a strong degree of authenticity pervading the narrative, bringing an insightful and profound level of credibility to the story. However, these assets aside, there are times when the film focuses a little too much on the setup preparation for the main event (the interview), along with a sometimes-excessive reliance on depictions of Souleymane’s workaday life, while sacrificing greater depth into the protagonist’s character development and back story. More emphasis in these key areas undoubtedly would have added more substance to the finished product, not only giving viewers a more complete picture of its lead, but also likely generating a deeper sense of empathy for his situation. As it stands now, “Souleymane’s Story” is certainly a solid offering, but, with some tweaking in these other regards, it could have elevated this release to the truly outstanding level that it might have otherwise attained.

Production companies

Who made it

  • UNITÉ

    UNITÉ

    FR

Key crew

  • ProducerBruno Nahon
  • EditorXavier Sirven
  • Costume DesignMarine Peyraud
  • Key Makeup ArtistSandrine Denis
  • Post Production SupervisorRomain Gaillard
  • Post-Production ManagerAstrid Lecardonnel
  • First Assistant DirectorVincent Prades
  • Sound Re-Recording MixerSamuel Aïchoun
  • Sound EditorPierre Bariaud
  • Sound EditorMarc-Olivier Brullé
  • Sound MixerMarc-Olivier Brullé
  • Sound EditorCharlotte Butrak
  • Digital CompositorPiotr Smorawski
  • GafferFlorian Gomez
  • Key GripJonathan Ly
  • ElectricianCamille Prost
  • First Assistant CameraHaruyo Yokota
  • Extras CastingRaphaëlle Beck
  • First Assistant EditorAlexia Morel
  • Location ScoutGwenaëlle Duriaud
  • ElectricianMathieu Bernardin
  • Boom OperatorRodrigo Díaz
  • Associate ProducerThomas Morvan
  • ProducerAnne-Hélène Peslerbe

Themes & keywords

What it's about, really

  • illegal immigration
  • homelessness
  • working immigrants
  • worker exploitation

Release history · US

When it landed

  • Theatrical2025-08-08

Also known as

International titles

  • The Story of SouleymaneUS
  • הסיפור של סולימאןIL
  • The Story of SouleymaneAU
  • 술레이만 이야기KR
  • Souleymanes GeschichteAT
  • Souleymane's StoryDK
  • Souleymane's StoryDE
  • Souleymane's StoryIE
  • L'histoire de SouleymaneJP
  • 借來的人生故事TW
  • Süleyman'ın HikayesiTR
  • Souleymans GeschichteDE

More movies like this