
Did you know
Made its money back 5.4× over at the box office.

"Some people just want more."
A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.
“Some people just want more.”

Dakota Johnson
Lucy

Chris Evans
John

Pedro Pascal
Harry

Zoë Winters
Sophie

Marin Ireland
Violet

Dasha Nekrasova
Daisy

Emmy Wheeler
Rose

Louisa Jacobson
Charlotte
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Celine Song directs. Shabier Kirchner behind the camera. Daniel Pemberton scores. Keith Fraase cuts. Made its budget back several times over at the box office. Produced in United States of America, Finland. Dialogue in English.
Trivia
Also by
Stills · wallpapers
Full-resolution frames — open one to save it as a wallpaper.
Trailers & featurettes
Community reviews
Definitely not a Rom-Com. (And that's a good thing.) - Some false advertising with this one. There's romance, yes. There are a few laughs, yes. This, however, is not a romantic comedy. What it is is a two-hour philosophical journey on the themes of self-worth, value, and materialism through the lens of three very flawed characters. As a cynic, I appreciated that. With such beautiful principal actors it would be very easy to gin up a 90's or 00's type of rom-com, but this was exceedingly more thoughtful and interesting. If I have any complaint at all, it's the ending, which (IMHO) did not fit with the overall theme of the story and a little forced. But still, very good. 9/10 stars.
Celine Song's Materialists is a stunningly mature, emotionally intelligent romantic drama, one that redefines the very concept of modern love without falling into the usual pitfalls of the genre. Anchored by three outstanding performances, Dakota Johnson, Chris Evans, and Pedro Pascal share extraordinary chemistry that feels raw, layered, and heartbreakingly authentic. Song's screenplay dissects with surgical precision the transactional nature of today's dating world, where intangible values like affection and vulnerability often struggle against the ever-growing checklist of material, social, and political boxes. Money, body image, height, political leanings - even something as seemingly trivial as the texture of one's hair - are thoughtfully explored as factors that, in theory, should dictate compatibility. But through intimate silences, aching glances, and conversations that pierce right through the soul, Song reminds us that love, in all its flawed, inexplicable glory, cannot be quantified. Technically, Materialists is a masterclass in restraint. There's barely a musical score to be found, allowing every silence, every breath, and every hesitant word to carry the full weight of the characters' feelings. The cinematography makes the bold, unconventional choice to focus on the listener rather than the speaker, granting the audience rare insight into the unsaid, the reactions that words alone can't convey. Lingering shots in moments of silence exude not only tension but a rare, electric chemistry between the characters. The film crafts its emotional crescendo without a single moment of forced dramatization, making the eventual choices of Johnson's character feel entirely organic. Song bravely avoids providing easy answers: there's no judgment, no clear winner in the love triangle. Whether one follows love with all its imperfections, as in the Dakota-Evans connection, or chooses the materially perfect partner lacking in emotional spark, as represented by Pascal's character, Materialists argues that either path is valid - and equally human. If there's one area where Song perhaps leans too heavily, it's in the recurring client interviews of Johnson's character, which, while often sharp and humorous, begin to border on repetitive. The thematic point about society's shallow dating expectations lands early on, and a couple of these scenes feel like they're spelling out what the rest of the movie has already conveyed so gracefully. But this minor excess does little to detract from the overall impact. Materialists stands as one of the finest romantic dramas in recent memory, brilliantly avoiding the traps of cliché and formula. It's a profoundly insightful exploration of why we fall in love, and how that choice - no matter how irrational, imperfect, or impractical - might be the truest thing about us. Rating: A-
What is going on with Hollywood? Hollywood HDR is a fudging cancer. It means "destroy the image completely, turn off all the lights, and present the audience with moving shadows." Yet another movie that cannot be watched, because it's so insanely dark. Zero stars. Not a movie.
Production companies

A24
US

Killer Films
US

2AM
US

IPR.VC
FI

Access Entertainment
US
Themes & keywords
Release history · US
Also known as
Movie2010
Movie2003
Movie2024
Movie2020
Movie2014
Movie1955
Movie2014
Movie2020
Movie2022
Movie2010