
Did you know
Tight 18-minute runtime — shorter than most television pilots.

Upon hitting puberty, a high school boy realizes that he is homosexual and faces prejudice from his homophobic parents and friends.
“Some stories are better left unspoiled.”
Brett Barsky
Trevor

Judy Kain
Trevor's Mom

John Lizzi
Trevor's Dad
Jonah Rooney
Pinky Farraday

Stephen Tobolowsky
Father Joe
Cory M. Miller
Jack
Allen Dorane
Walter Stiltman
Lindsay Pomerantz
Cathy Quinn
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Peggy Rajski directs. Marc Reshovsky behind the camera. John Tintori cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.
Trivia
Awards
Won 1 Oscar. 5 wins total
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
Although there are undoubtedly some more serious undercurrents for this short drama, it’s carried off with an engaging light-heartedness that does raise a smile. Did you know, for example, that there is a direct correlation between getting your sperm on your hands and then going deaf (as well as blind, I presume)? “Trevor” (Brett Barsky) is really just your average teenage lad struggling to get any attention from his parents. His school life isn’t much better until he is befriended by baseball heart-throb “Pinky” (Jonah Rooney). Things are on the up, and he even starts listening to the more upbeat tracks from his Diana Ross collection. Unfortunately, he mistakenly confides his adulation for his new best pal with “Walter” (Allen Dorane) and next thing he is being shunned by everyone and given the ultimate in embarrassing life lectures by their local curate. Oh dear! Now we are back to “Endless Love” and some drastic action. What next? It’s told using a quite amusing “Dear diary” confessional style alongside an entertaining effort from Barsky as his character deals with every trauma as if it were to be his last, but without ridiculing the significance to a young gay lad of finding his own sexuality amidst a society at best ignorant, at worst more cruel. It’s the fact that it’s message is delivered more subtly that works better here, and there’s food for thought here for a world of folks called “Trevor”, their friends and parents alike.
Production companies
Rajski/Stone Productions
Themes & keywords
Release history · US