
Did you know
Clocks in at 179 minutes — on the longer side of feature-length cinema.

After a Vietnamese woman dies in a car crash in Saigon, her brother-in-law and her young son transport her body back to the former’s hometown in rural Vietnam, where they plan to give her a funeral.
“Some stories are better left unspoiled.”

Le Phong Vu
Thien
Nguyen Thinh
Dao
Nguyen Thi Truc Quynh
Sister Thao
Vu Ngoc Manh
Trung

Dylan Besseau
Hunh

Phi Điểu
The Old Lady
Nguyen Van Lu'u
Mr. Luu

Mạnh Cường
The Priest
Credits
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Did you know?
Cinephile deep dive
Phạm Thiên Ân directs. Dinh Duy Hung behind the camera. Phạm Thiên Ân cuts. A long sit — settle in. Produced in France, Singapore, Spain, Vietnam, Netherlands. Dialogue in Vietnamese.
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Awards
Individual records documented via Wikidata; the summary above may count more.
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Community reviews
Finding meaning and purpose in life can be a long and solitary journey, especially if one doesn’t know how or where to look. So it is for a single, lonely thirtysomething seeker (Le Phong Vu) living in Saigon after moving there from his rural mountain village after most of his family emigrates to America. He feels empty and lost as he looks for a suitable path to follow, but nothing turns up, leaving him increasingly adrift and unfulfilled. However, when a family tragedy occurs, he must return home to pay final respects to a deceased loved one with his young, orphaned nephew (Nguyen Thinh) in tow. The journey thus becomes a metaphor for his search, an absorbing meditation on life, love, death, finding oneself and letting go of old ghosts from the past, including an old flame (Nguyen Thi Truc Quynh) who now has a more serious commitment. This odyssey is fittingly depicted cinematically with a series of long tracking shots and deliberately slow pacing to emphasize the extended time it takes to make such a measured, thoughtful and revelatory passage, one beautifully enhanced by positively gorgeous cinematography. It’s the kind of film that gives similarly situated viewers much to think about, particularly given that they’re likely to relate to the circumstances of their on-screen counterpart. However, writer-director Thien An Pham’s debut film – winner of the 2023 Cannes Film Festival’s Golden Camera Award for best premiere feature – could benefit handsomely from some judicious editing, especially in the second half. While this release is definitely a feast for the eyes, some sequences nevertheless go on needlessly long and could have been cut by about 20-30 minutes to reduce its patience-trying three-hour runtime. This shortcoming aside, though, “Inside the Yellow Cocoon Shell” gives audiences a revealing look at the work of a gifted new talent with tremendous potential, one who successfully brings both beauty and inspiration to an insightful finished product. As trite as it may seem, finding our place in the cosmos rests more with the journey than the destination, as the protagonist discovers for himself, a realization many of us can no doubt relate to.
Production companies

JK Film
VN

PŌTOCOL
SG

ZORBA The Imaginary Friends
VN

Fasten Films
ES

Deuxième Ligne Films
FR

Hubert Bals Fund
NL
Release history · US
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