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Made its money back 4.1Γ over at the box office.

"Gone is the romance that was so divine"
Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy.
βGone is the romance that was so divineβ
Where to watch Β· US

Robert Redford
Jay Gatsby

Mia Farrow
Daisy Buchanan

Bruce Dern
Tom Buchanan

Karen Black
Myrtle Wilson

Scott Wilson
George Wilson

Sam Waterston
Nick Carraway

Lois Chiles
Jordan Baker

Howard Da Silva
Meyer Wolfsheim
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Jack Clayton directs. Douglas Slocombe behind the camera. Tom Priestley cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.
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"Nick" (Sam Waterston) lives in a cottage on the edge of the estate owned by the enigmatic "Gatsby" (Robert Redford) and is fascinated by the man. He has old money wealth and regularly hosts lavish parties for strangers whom her barely knows and to which he rarely bothers to go. "Nick" is unexpectedly invited to one such party and then to meet the man himself who isn't quite what he was expecting. This is the start of an unusual friendship that introduces him to a life of shallow profligacy, duplicity and some fairly ghastly individuals. "Gatsby" has taken a shine to "Daisy" (Mia Farrow) who is married to the rather brutish "Tom" (Bruce Dorn) and much of the rest of this lengthy period melodrama follows the intricacies of the new relationship between these two men, and of the latter man's increasingly dubious lifestyle that isn't quite playing out as "Nick" anticipated. Now this adaptation is an almost literal one of F. Scott Fitzgerald's novel - and that might have worked were we in a theatre. We are not, though, and what we are presented with here is a wordy and frankly rather sterile and plodding character study. Too much reliance is placed on the aesthetic elements - the costumes, sets, lavishness of the parties; indeed the imagery is gorgeous. It's supposed to be a love story, but the purported relationship between Redford and Farrow just doesn't resonate. I never really understood why she was so acclaimed in the first place - her performances were always rather hit or miss. The narration from Waterston also becomes a little too flat and the contrasting existences of the fabulously wealthy and the subsistence poor is hardly developed at all. My star of the film is Karen Black's "Myrtle" - possibly the only persona here that exudes anything like a sense of personality as she juggles her marriage and her affair. This is a nasty story about selfish and thoughtless people, but this iteration simply fails to capture that emotion, or - indeed - any other emotion either. Lots and lots of style, but it's lacking soul.
Production companies

Paramount Pictures
US
Themes & keywords
Release history Β· US
Also known as
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