
Did you know
39 years old — old enough to be someone's favourite childhood film.

"From opulence... to rags... to love."
Heiress Joanna Stayton hires carpenter Dean Proffitt to build a closet on her yacht—and refuses to pay him for the project when it's done. But after Joanna accidentally falls overboard and loses her memory, Dean sees an opportunity to get even.
“From opulence... to rags... to love.”
Where to watch · US

Goldie Hawn
Joanna Stayton / Annie Proffitt

Kurt Russell
Dean Proffitt

Edward Herrmann
Grant Stayton III

Mike Hagerty
Billy Pratt

Katherine Helmond
Edith Mintz

Roddy McDowall
Andrew

Jared Rushton
Charlie Proffitt
Jeffrey Wiseman
Joey Proffitt
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Garry Marshall directs. John A. Alonzo behind the camera. Alan Silvestri scores. Sonny Baskin cuts. Profitable at the box office. Produced in United States of America. Dialogue in English, French.
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Trailers & featurettes
Community reviews
This movie wouldn’t make any of my top 20 lists (if I took the time to create some) but I think it is a charming film, and that is quite an accomplishment. Because if it weren’t for the talented ensemble main actors, Garry Marshall directing, and a witty script (the writer has Pay it Forward and others on her resume), this movie could easily have been a stinker. As it is, it has a lot of laughs, cute child actors, some character development, and a fun time for all. It is priceless to watch the Goldie Hawk character go from snooty, haughty rich bitch, to a sensitive self-deprecating amnesiac mom who is not cut out for motherhood and in over her head. What she learns about herself doesn’t come from her memory, but from what the Kurt Russell character relates to her, so she hears how she had sex with him their first date and she says, “I’m a slut.” Sexist, of course, but at least she is saying it about herself, and she does come through for her ‘family’ in the end. It is a harmless good time. I wouldn’t go out of my way to watch it, but I wouldn’t change channels if it came on either. As an aside, I haven’t seen the remake, so I can’t make comparisons. Probably should judge both on their own merits anyway, right?
Production companies
Star Partners
Hawn / Sylbert Movie Company

Metro-Goldwyn-Mayer
US
Themes & keywords
Release history · US
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