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Released 2 years ago.

In this edge-of-your-seat thriller inspired by real events, a British police officer and a Jewish woman fall in love amidst the political turmoil of 1930s Tel Aviv. With British control over Palestine precarious and conflict inevitable, everyone is forced to choose a side.
βSome stories are better left unspoiled.β

Douglas Booth
Thomas Wilkin

Harry Melling
Geoffrey Morton

Irina Starshenbaum
Shoshana Borochov

Gina Bramhill
Alice Morton

Aury Alby
Avraham Stern
Liudmyla Vasylieva
Luba Borochov

Ian Hart
Robert Chambers

Oliver Chris
Ralph Cairns
Credits
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Cinephile deep dive
Michael Winterbottom directs. Giles Nuttgens behind the camera. David Holmes scores. Marc Richardson cuts. Produced in United Kingdom, Italy. Dialogue in English, Arabic, Hebrew, Russian.
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Community reviews
This is a curiously undercooked iteration of a story that well exemplifies that expression about one man's terrorist being another's freedom fighter. It's the underwhelming Douglas Booth who is Wilkin, a police detective based in British-administered Palestine and a man who has a semblance of decency to him. His boss "Chambers" (Ian Hart) is a bit more of a player, though - and he drafts in the much more "hands-on" Morton (the unremarkable Harry Melling) to get results more quickly - not least the apprehension of Stern (Aury Alby) who is determined to establish a Jewish homeland and doesn't much care which tactics he uses to accomplish that. The personal story is largely historical fact, so there's no real jeopardy here, but it's an interesting postulation on just how the British tried to administer a region and a population that had no interest in being administered, and that was being logistically manipulated with the shortest of term vision for anyone's future. Palestinian and Jew could agree on just one thing - get the UK out, but thereafter there was little consensus as the bombs and the bullets continued to fly. To be honest, I found the contribution of the eponymous woman (Irina Starshenbaum) to be almost incidental to what is essentially a rather dryly brutal story of a territory that always has been and will be fought over. It looks fine, but somehow it's all just a little too bitty - episodic, even, and it needed a bigger hitter to deliver the narrative more engagingly and convincingly. Pity.
Production companies
Revolution Films
GB

Bartlebyfilm
IT

Greenwich Entertainment
US
Themes & keywords
Release history Β· US
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