Sebastian

"How far would you go for the story?"

2024 1h 50m EN

😐

6.3

MID

★6.3TMDB · 55

Drama

Synopsis

Spoiler shield

Max is a 25-year-old freelance writer and aspiring novelist who seems well on his way to success in London’s cultural spheres. Yet by night, he finds a different kind of exhilaration as a sex worker with the pseudonym Sebastian, meeting men via an escorting platform. Max uses his experiences as Sebastian to fuel his stories and the worthy debut novel that he has been longing to write, finally seems within reach.

“How far would you go for the story?”

WhatsApp X Facebook Telegram

Where to watch · US

Kino Film CollectionSubscription

Cast

Ruaridh Mollica
Max
Hiftu Quasem
Amna
Jonathan Hyde
Nicholas
Ingvar E. Sigurðsson
Daniel
Dylan Brady
Joel
Pedro Minas
Oliver
Matthias Moret
Jacopo
Akbar Kurtha
Samir

Credits

Behind the camera

Director: Mikko Mäkelä
Writers: Mikko Mäkelä
Languages: French, English
Countries: United Kingdom, Belgium, Finland

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

ERA

Did you know

Released 2 years ago.

MoodPlayr · trivia#01

2 / 8

WORLD

Did you know

Dialogue crosses 2 languages: French, English.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

International production across 3 countries: United Kingdom, Belgium, Finland.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Directed by Mikko Mäkelä, shot by Iikka Salminen. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Original score by Ilari Heinilä. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Editor Arttu Salmi shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06

7 / 8

CAST

Did you know

Ruaridh Mollica and Hiftu Quasem and Jonathan Hyde carry the top of the cast.

MoodPlayr · trivia#07

8 / 8

FACT

Did you know

Marketing tagline: "How far would you go for the story?".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Mikko Mäkelä directs. Iikka Salminen behind the camera. Ilari Heinilä scores. Arttu Salmi cuts. Produced in United Kingdom, Belgium, Finland. Dialogue in French, English.

Trivia

Things worth knowing

1Released 2 years ago.
2Dialogue crosses 2 languages: French, English.
3International production across 3 countries: United Kingdom, Belgium, Finland.
4Directed by Mikko Mäkelä, shot by Iikka Salminen. Note their partnership — DPs and directors often return to each other across a career.
5Original score by Ilari Heinilä. Worth a dedicated listen after — most great films lose half their impact without the score.
6Editor Arttu Salmi shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
7Ruaridh Mollica and Hiftu Quasem and Jonathan Hyde carry the top of the cast.
8Marketing tagline: "How far would you go for the story?".
9IMDB entry: tt30317033 — still the authoritative cross-reference for credits and trivia.
10Only 55 TMDB ratings — you're getting ahead of the curve on this one.
11Classified under 18 themes, including "london, england", "prostitute", "double life", "identity".

The technical file

Cinematography: Iikka Salminen
Original score: Ilari Heinilä
Editing: Arttu Salmi
Costume design: Frank Gallacher
Runtime: 110 min · 1h 50m
Status: Released
Original language: EN
IMDB: Sebastian (2024)

Also by

Mikko Mäkelä

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

Brent Marchant2024-10-06
★ 5/10
Authors striving for authenticity in their work often engage in extensive background research, sometimes of a firsthand nature, to get things right. However, when it comes to writer-director Mikko Mäkelä’s second (and inexplicably much-applauded) feature, I have some serious reservations about its applicability here. This tale of a talented young London-based author of award-winning short stories and magazine pieces is embarking on his first novel, an inside exposé of the lives of gay male sex workers. To find out what these experiences are like, the ambitious emerging wordsmith, Max Williamson (Ruaridh Mollica), decides to investigate the subject by becoming an escort, arranging hook-ups through an internet website under the pseudonym “Sebastian.” But, the more involved he becomes in his research, the more he becomes consumed by it, unsure how to keep control over it. Strangely, though, there are also times when he’s apparently ambivalent about it, going to great lengths to keep both his hustling work – and even his sexuality – a secret. Is he trying to keep from being discovered by his clients and writing peers, or is he a closet case who, quite ironically, hasn’t fully come to accept himself (not even coming out to his own family)? In any event, he engages in a string of diverse encounters that leave him – and viewers – wondering about exactly where he’s going with all this, including a somewhat baffling, unexpected budding romance with an older gentleman (Jonathan Hyde). This plethora of mixed motivations is where the film gets itself into trouble, hopelessly meandering in multiple, seemingly contradictory directions, raising questions about what the filmmaker/screen writer actually had in mind, as well as how diligent he was in doing his homework in crafting the story. “Sebastian” thus often comes across like a series of sexual escapades with a poorly conceived story wrapped about them, many of which end up falling back on well-worn, outdated gay cautionary tale tropes. The film also incorporates some implausible developments involving the publishing business, stretching the picture’s credibility even further. In light of this, then, it’s hard to fathom how and why this offering has received as many accolades as it has, especially as a potential candidate for awards season recognition. In my view, this release needs major retooling, not only to provide a more focused narrative, but also to strengthen its character development to something more believable and something that generates a more viable audience connection. To be sure, there are many fine LGBTQ+ movies out there these days that are genuinely worthy of praise and recognition – but this overrated production certainly isn’t one of them.
CinemaSerf2025-04-05
★ 6/10
“Max” (Ruaridh Mollica) juggles a career as an aspiring journalist and novelist with charging £200 per hour selling his services as an escort to, mainly, older men. His boyish good looks and obvious inexperience at the latter makes him popular and he proves successful enough to use his varied experiences to form the basis of his book. His publisher likes the freshness and intimacy of the adventures of “Sebastian” but a rather self-induced setback at work forces a change to the dynamic of both his life and his work. Though there is the odd sex scene to enliven the drama, the rest of this is all a rather shallow investigation of the high-end comfort market and whilst Mollica is easy enough on the eye his performance over-relies on that and is quite lacklustre. The story itself has quite a few gaps that don’t quite add up; timelines don’t quite track and by the conclusion I actually thought that instead of offering us some sort of critical observation of an industry that transcends just about every aspect of society, we ended up with more of a rather exploitative - cruel, even, character about whom I really didn’t care so much after a while. Jonathan Hyde brings a bit of (rather sad) nuance to the proceedings but Ingvar Sigurdsson’s “Daniel” seemed just too Jekkyl and Hyde to be plausible at quite a crucial juncture in the young man’s increasingly light-weight story. Rather than a movie, this might have made for a better three-part drama that could have focussed a little more cohesively on the aspects of his life, love and self-evaluation but as it is, it’s all too bitty. Worth a watch, but not what it could have been.