American Fiction

"Once you go full black, you ain't never going back!"

2023 1h 57m EN

👍

7.2

SOLID

🔥

93%

CERTIFIED FRESH

💯

METACRITIC

⭐

7.5

IMDB

★7.2TMDB · 1,456🍅93%Rotten Tomatoes●81Metacritic★7.5IMDB · 131,163

ComedyDrama

Synopsis

Spoiler shield

A novelist fed up with the establishment profiting from "Black" entertainment uses a pen name to write a book that propels him into the heart of hypocrisy and the madness he claims to disdain.

“Once you go full black, you ain't never going back!”

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Where to watch · US

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Cast

Jeffrey Wright
Thelonious 'Monk' Ellison
John Ortiz
Arthur
Erika Alexander
Coraline
Leslie Uggams
Agnes Ellison
Sterling K. Brown
Clifford Ellison
Skyler Wright
Brittany
John Ales
Leo
Patrick Fischler
Mandel

Credits

Behind the camera

Director: Cord Jefferson
Writers: Cord Jefferson
Languages: English
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

ERA

Did you know

Released 3 years ago.

MoodPlayr · trivia#01

2 / 8

CAST

Did you know

260+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#02

3 / 8

DIRECTOR

Did you know

Directed by Cord Jefferson, shot by Cristina Dunlap. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Original score by Laura Karpman. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Editor Hilda Rasula shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05

6 / 8

CAST

Did you know

Jeffrey Wright and John Ortiz and Erika Alexander carry the top of the cast.

MoodPlayr · trivia#06

7 / 8

FACT

Did you know

Marketing tagline: "Once you go full black, you ain't never going back!".

MoodPlayr · trivia#07

8 / 8

WILD

Did you know

IMDB entry: tt23561236 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Cord Jefferson directs. Cristina Dunlap behind the camera. Laura Karpman scores. Hilda Rasula cuts. Profitable at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

1Released 3 years ago.
2260+ people credited in cast and crew — a small city's worth of labour.
3Directed by Cord Jefferson, shot by Cristina Dunlap. Note their partnership — DPs and directors often return to each other across a career.
4Original score by Laura Karpman. Worth a dedicated listen after — most great films lose half their impact without the score.
5Editor Hilda Rasula shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
6Jeffrey Wright and John Ortiz and Erika Alexander carry the top of the cast.
7Marketing tagline: "Once you go full black, you ain't never going back!".
8IMDB entry: tt23561236 — still the authoritative cross-reference for credits and trivia.
9Classified under 32 themes, including "sibling relationship", "boston, massachusetts", "writing", "race politics".

The technical file

Cinematography: Cristina Dunlap
Original score: Laura Karpman
Editing: Hilda Rasula
Production design: Jonathan Guggenheim
Costume design: Rudy Mance
Makeup / hair: Michele Lewis
VFX supervisor: Giles Harding
Sound: Richard Weingart
Stunt coordinator: John Vincent Mason
Runtime: 117 min · 1h 57m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $16,000,000
Box office: $22,483,370
Return: 141% of budget
Original language: EN
Certification (US): R
IMDB: American Fiction (2023)
Rotten Tomatoes: 93% 🍅 Fresh
Metacritic: 81/100
IMDB rating: 7.5/10 · 131,163 votes
MPAA: R

Awards

Won 1 Oscar. 64 wins & 174 nominations total

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Wallpaper

Trailers & featurettes

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Community reviews

What people are saying

Brent Marchant2023-12-25
★ 6/10
It’s frustrating to watch a much-anticipated movie that doesn’t quite live up to expectations. Such is the case with writer-director Cord Jefferson’s debut feature. The problem here is that the film tries to tell two stories in one picture, one that it does brilliantly and one that could use some serious trimming, because the inclusion of its segments interrupts the flow every time it comes up during the course of the narrative. This tale of a talented but commercially unsuccessful African-American author (Jeffrey Wright) laments the success of a younger peer (Issa Rae) who writes a best-selling “Black” book that he sees as little more than market-pandering rubbish. However, in response, when he does the same under a pseudonym as a means of protest, he becomes an overnight sensation for all of the artistic and readership considerations that he personally despises. He now has to ask himself how can live with that kind of success, especially when the title becomes a runaway juggernaut. As he struggles with this, he’s also faced with a family drama with the death of a relative, managing the future of care for his Alzheimer’s-afflicted mother (Leslie Uggams) and a ne’er-do-well, self-centered sibling who’s reluctant to help out (Sterling K. Brown). Unfortunately, the domestic story thread is overlong and tends to bog down the satirical social commentary/personal integrity aspects of the picture, which are really strong enough to stand on their own and should have been given wider play (fault the screenplay here). Despite its shortcomings, however, “American Fiction” definitely deserves kudos for the performances of its ensemble cast, especially Wright, who turns in his best work here and has garnered a number of awards season nominations already, with more undoubtedly to come. In all, though, this feels like an offering that’s half-baked for what it serves up, which is regrettable, given that, with some shoring up in the writing, this easily could have become a modern screen classic.
CinemaSerf2024-02-08
★ 7/10
Jeffrey Wright is great in this satirical look at all things hypocritical and exploitative surrounding "blackness" in the USA. "Monk" is the short-tempered writer-cum-lecturer whose behaviour gets him put on indefinite leave by his university and sent to Boston! That's where his family live and where we get our first introduction to his sister "Lisa" (Tracee Ellis Ross). Now she's got the measure of her curmudgeonly brother and as they spar we start to see elements of his deeply-buried humanity emerge. Maybe he's not the man we first thought, and that depth of character becomes more evident as we meet his mother whose Alzheimers is causing confusion and distress. A tragedy strikes which forces "Monk" to re-address his own life choices, his relationship with his recently gay brother "Cliff" (Sterling K. Brown) and of his need to raise the almost $7,000 per month it will cost to ensure the best care for their ailing parent. His latest attempt at getting published failed. His agent "Arthur" (John Ortiz) telling him that his books just weren't black enough. He must be more like "Sintara" (Issa Rae) who writes books about 'real' African American people and their stereotypical ghetto language and experiences. He loathes the very essence of stuff like this, and so - in a fit of pique - cobbles together a novel called "Pafology" which he disdainfully sends off. To his bemused disgust, he is offered a lucrative seven figure sum - useful for the medical bills - and then, even more to his chagrin he meets film producer "Wiley" (Adam Brody) who wants to pay through the nose for the screen rights! Conflicted or what? He needs to look after his mother but his principles are abhorred by what he sees as a selling out. This scenario is only made the more ridiculous when he is asked to judge a prestigious literary award - and his now renamed best-seller is nominated! Cord Jefferson uses the brother's storyline as an engaging diversion - a broke plastic surgeon recently divorced and coming to his homosexuality late, but enthusiastically, in life. There's also his neighbour "Coraline" (Erika Alexander) to whom he takes a reciprocated shine - but can he make that work? It's genuinely laugh out loud at times as we see the frustrations of this man play out. It swipes at the superciliousness of an industry that is essentially not about culture or tradition: it's all about money and perception. The shallow things he despises. Will he come clean? Can he actually grow up a bit, too? Well that's skilfully dealt with in the gem of an ending! This is a cleverly conducted and innovative film that provokes thought and laughter in equal measure and showcases a talented ensemble effort well.
hamfaceman2024-03-14
★ 7/10
This movie was decent.