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A Real Pain poster

A Real Pain

"Join the family."

2024 1h 30m EN
👍
6.8
SOLID
🔥
96%
CERTIFIED FRESH
💯
85
METACRITIC
⭐
7
IMDB
★6.8TMDB · 1,545🍅96%Rotten Tomatoes●85Metacritic★7IMDB · 138,608
ComedyDrama
Synopsis
Spoiler shield

Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the pair's old tensions resurface against the backdrop of their family history.

“Join the family.”

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Cast

Credits

Behind the camera

Director
Jesse Eisenberg
Writers
Jesse Eisenberg
Languages
English, Polish
Countries
Poland, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
RUNTIME

Did you know

90 minutes exactly — the "classic feature" runtime most directors aim for.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

Shot for just $3.0M — micro-budget by Hollywood standards.

MoodPlayr · trivia#02
3 / 8
MONEY

Did you know

Made its money back 8.3× over at the box office.

MoodPlayr · trivia#03
4 / 8
ERA

Did you know

Released 2 years ago.

MoodPlayr · trivia#04
5 / 8
WORLD

Did you know

Dialogue crosses 2 languages: English, Polish.

MoodPlayr · trivia#05
6 / 8
WORLD

Did you know

International production across 2 countries: Poland, United States of America.

MoodPlayr · trivia#06
7 / 8
DIRECTOR

Did you know

Directed by Jesse Eisenberg, shot by Michał Dymek. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#07
8 / 8
DIRECTOR

Did you know

Editor Robert Nassau shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Jesse Eisenberg directs. Michał Dymek behind the camera. Robert Nassau cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in Poland, United States of America. Dialogue in English, Polish.

Trivia

Things worth knowing

  • 190 minutes exactly — the "classic feature" runtime most directors aim for.
  • 2Shot for just $3.0M — micro-budget by Hollywood standards.
  • 3Made its money back 8.3× over at the box office.
  • 4Released 2 years ago.
  • 5Dialogue crosses 2 languages: English, Polish.
  • 6International production across 2 countries: Poland, United States of America.
  • 7Directed by Jesse Eisenberg, shot by Michał Dymek. Note their partnership — DPs and directors often return to each other across a career.
  • 8Editor Robert Nassau shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 9Jesse Eisenberg and Kieran Culkin and Will Sharpe carry the top of the cast.
  • 10Marketing tagline: "Join the family.".
  • 11IMDB entry: tt21823606 — still the authoritative cross-reference for credits and trivia.
  • 12Classified under 19 themes, including "pain", "suicide attempt", "holocaust (shoah)", "vacation".
  • 13Released under 13 different titles around the world.

The technical file

Cinematography
Michał Dymek
Editing
Robert Nassau
Production design
Mela Melak
Costume design
Małgorzata Fudala
Makeup / hair
Olga Nejbauer
VFX supervisor
Yuval Levy
Sound
Daniel Timmons
Stunt coordinator
Jarosław Golec
Runtime
90 min · 1h 30m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$3,000,000
Box office
$24,856,027
Return
829% of budget
Original language
EN
Certification (US)
R
Rotten Tomatoes
96% 🍅 Fresh
Metacritic
85/100
IMDB rating
7/10 · 138,608 votes
MPAA
R

Awards

Won 1 Oscar. 69 wins & 96 nominations total

Also by

Jesse Eisenberg

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Brent Marchant
    ★ 7/10

    Finding ourselves, particularly the process of finding what we’ve lost about ourselves, can be an eye-opening, enlightening but sometimes-painful ordeal, especially if we’re unclear about where to look. For many of us, though, this is a challenge we often attempt to resolve by examining our past, specifically that of our family and its legacy, in hopes that it provides the answers we seek. Such is the quest embarked upon by two once-close cousins, David (Jesse Eisenberg) and Benji (Kieran Culkin), who journey to Poland on an intimate heritage tour to visit the homestead of their beloved deceased grandmother, a Holocaust survivor who made her way to America after World War II. While David and Benji were at one time as thick as thieves, they’ve drifted apart over time, each becoming significantly different from one another, but they hope to reestablish their longstanding connection through this intensely personal pilgrimage. As their odyssey unfolds, though, they come face to face with the changes that have arisen both in their relationship and in their understandings of themselves, from life goals to their cultural background as the descendants of Polish Jews to how they fundamentally relate to the world. It’s an often-difficult process for these earnest seekers, especially in light of their discovery that, if they truly wish to better understand themselves, they can only go so far in looking outward, instead needing to look inward for guidance and meaningful insight. And its aptly selected title is an ably suitable metaphor on multiple levels, not only in describing Benji’s often-manic, irrational and unpredictable behavior, but also in characterizing the anguish that he and David undergo in making their way through this emotional minefield. This second feature effort from actor-writer-director Eisenberg is indeed an impressive offering, even if its road trip/buddy movie script could use some periodic tweaking in terms of focus and its balance between comedy and drama. More significantly, however, this is a breakout performance for Culkin, who shows just how adept he can be with the right material, an award-worthy portrayal, to be sure. Add to this the film’s gorgeous cinematography of Polish landmarks and the country’s landscapes, as well as its fittingly appropriate Frédéric Chopin soundtrack, and you’ve got a profoundly thoughtful release, one that should give anyone in the cousins’ shoes pause for reflection, something from which we can all benefit from time to time, no matter what we’re ultimately looking for.

  • Chris Sawin
    ★ 7/10

    Written and directed by Jesse Eisenberg, A Real Pain sees two cousins reunite after a long period. David (Eisenberg) and Benji (Kieran Culkin) were raised together and were around each other so much growing up that they were brothers. They meet up in the present day for a Poland Holocaust tour that culminates with them visiting the house that once belonged to their grandmother. David and Benji are at two different stages of life despite being a few months apart. David has a full-time job, a wife, and a kid while Benji is single and doesn’t have a job. While David has fond memories of their grandmother, she was Benji’s favorite person in the world and her death took a huge toll on him that he still hasn’t gotten over. The two estranged cousins are complete opposites of one another. David plays it safe and is typically very quiet while adhering to the rules that are laid out before him. Benji is outspoken, charming, and doesn’t care what people think. People always know how he feels, which isn’t always a good thing since his moods change on a whim. The performances are interesting because Jesse Eisenberg has always had this kind of neurotic demeanor about him as an actor (talks fast with few pauses, is anxious around other people, totally awkward). Leave it to a film that he writes, directs, and stars in for him to play the more grounded of the two main characters. When Benji’s unusual behavior becomes unbearable, David cracks under the pressure of trying to hold it together and be the more level-headed of the two. Eisenberg portrays frustration, anger, sadness, and love in a way that is relatable and believable. Kieran Culkin steals nearly every scene he’s in as Benji. As a character, Benji has a way of being the center of attention without really trying. He speaks his mind and does what he wants. He doesn’t care if he comes as rude or down to earth or like an asshole. He is effortlessly charismatic and funny with a ton of potential to be more than he is. But he’s also broken and the entire tour group can see that. Like Benji wears on David, he can be overbearing at times to the audience but that also makes the character feel that much more genuine. There’s a fine line between paying respect and being blasphemous in A Real Pain. David doesn’t want to be disrespectful in any way while Benji makes his decision based on how he feels. For example, posing dramatically and humorously in front of a monument honoring those who gave their lives during the war could be seen as therapeutic or shameful. Later in the film, the tour group doesn’t see an issue traveling in a first-class train car while Benji is immensely offended since Jews were forced to ride in the very back of the train. The film is written in a way that reveals a bit more behind each cousin as the film progresses. What begins as two cousins traveling to Poland and paying respect to their grandmother evolves into David worrying whether or not Benji can survive on his own while Benji is upset that he doesn’t hear from David much anymore because he’s a family man with a career. They’re two different sides of the same coin: one cousin is taking life too seriously while the other doesn’t take it seriously enough. And as a neutral party watching this all unfold, you can see the benefits and shortcomings of both sides. Being married, having a child, and having a full-time job takes up all your free time. On the other hand, not having a job leaves you with more time to feel like no one has time for you anymore. Both cousins are at an impasse and maybe that’s the takeaway from A Real Pain: to make do and appreciate what you’ve got. And the film ends in a way that doesn’t resolve anything. As adults, we age, get invested in our careers, and drift away from friends and family who were once close because of our commitments as responsible people. A Real Pain touches on that concept. The more we want things to change and the more we want our loved ones to be safe and happy there’s only so much we can do before we go back to our regularly scheduled and separate lives. We just have to hope that that bond and nostalgia that we share is enough until we’re able to meet again. Just because you reach out doesn’t mean things will get better. It lets that loved one know you care and sometimes that’s enough. A Real Pain capitalizes on the ups and downs of traveling with a family member. You love them and have a deep connection with them, but they also annoy you to no end and are reminded why you don’t see them more often. Jesse Eisenberg has made a film that is emotionally powerful and unbelievably relatable while Kieran Culkin delivers an exhaustingly mesmerizing performance loaded with depth and relentless magnetism. The way the film revolves around such flawed individuals makes them feel grounded in reality and A Real Pain feels like bona fide cinema because of it.

  • Chandler Danier
    ★ 8/10

    Good little buddy trip flick. Funny bits. Characters. Stupid tourists making life miserable for locals. Better acting than the mighty Megalopolis. Very clever title.

Production companies

Who made it

  • Fruit Tree

    Fruit Tree

    US

  • Topic Studios

    Topic Studios

    US

  • Extreme Emotions

    Extreme Emotions

    PL

  • RE

    Rego Park

    US

  • Mazowiecki Instytut Kultury

    Mazowiecki Instytut Kultury

    PL

Key crew

  • ProducerDave McCary
  • ProducerEmma Stone
  • ProducerAli Herting
  • Line ProducerBecky Glupczynski
  • ProducerJennifer Semler
  • Executive ProducerRyan Heller
  • Executive ProducerMichael Bloom
  • ProducerJesse Eisenberg
  • ProducerEwa Puszczyńska
  • Executive ProducerJennifer Westin
  • EditorRobert Nassau
  • Music SupervisorErick Eiser
  • Associate ProducerRemy Love
  • Co-Executive ProducerJasmine Daghighian
  • CastingJessica Kelly
  • Script SupervisorRenata Gałuszka
  • Executive ProducerKevin Kelly
  • Production DesignMela Melak
  • Sound Effects EditorJonathan Fuhrer
  • ADR RecordistRoisin King
  • Supervising Sound EditorTim Korn
  • Dialogue EditorJennifer Ruffalo
  • Sound Re-Recording MixerDaniel Timmons
  • Production Sound MixerTarn Willers

Themes & keywords

What it's about, really

  • pain
  • suicide attempt
  • holocaust (shoah)
  • vacation
  • grief
  • jewish american
  • poland
  • cousin relationship
  • reflection
  • dramedy
  • candid
  • coping mechanisms
  • heritage
  • jewish
  • tour
  • death of grandmother
  • witty
  • compassionate
  • gentle

Release history · US

When it landed

  • Premiere2024-01-20· Sundance Film Festival
  • Premiere2024-10-05· New York Film Festival
  • Premiere2024-10-20· Philadelphia Film Festival / Woodstock Film Festival
  • Premiere2024-09-19· Aspen Film Festival
  • Premiere2024-10-04· Beyond Fest
  • Premiere2024-10-10· Heartland International Film Festival
  • Premiere2024-10-18· Middleburg Film Festival / Santa Fe International Film Festival
  • Premiere2024-10-22· Twin Cities Film Fest
  • Premiere2024-10-23· Chicago International Film Festival
  • Premiere2024-10-27· FilmColumbia Film Festival

Also known as

International titles

  • 跳痛之旅TW
  • Une vraie douleurFR
  • Gerçək AcıAZ
  • Իրական ՑավըAM
  • Un dolor realEC
  • Un dolor realAR
  • Un dolor realMX
  • Un dolor realES
  • Une Vraie DouleurCA
  • 真正的痛苦CN
  • リアル・ペイン~心の旅~JP
  • 心伤旅行团CN
  • Gerçek AcıTR

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